A Quote by Ludivine Sagnier
What I'm looking for is the variety of choices and the opportunity to work with great directors - that's what I'm looking for.
Related Quotes
In my work, we're not looking at an icon, we're not looking at a sign, we're not looking at a representation. We're looking at something. I do have this feeling of trust that people can read it for themselves.
When I talk to a man, I can always tell what he's thinking by where he is looking. If he is looking at my eyes, he is looking for intelligence. If he is looking at my mouth, he is looking for wisdom. But if he is looking anywhere else except my chest he's looking for another man.
It's not like I'm dying to do work that's taken seriously, and I'm not looking to become a thespian. It's not what I'm looking for; I'm just looking to do quality work.
There is a great difference between a young man looking for a situation and one looking for work.
Directors are not worried about casting beautiful women, but they are not sure that they want to cast great-looking men. My looks have prevented people from seeing my work.
When the photographer is nearby, I like to say, 'Quick, get a photo of me looking into the camera,' because I'm never looking into the camera. Christopher Nolan looks into the camera, but I think most directors don't, so whenever you see a picture of a director looking at the camera, it's fake.
When I interview people that want to work with us, I often disregard their resume, because a piece of paper, it doesn't tell me really who they are. I'm looking for honesty, vulnerability. I'm looking for strength, I'm looking for weakness. I'm looking also for someone that wants to learn and is excited about learning.
Directors are not worried about casting beautiful women, but they are not sure that they want to cast great-looking men. My looks have prevented people from seeing my work objectively.
In terms of directors, great actors make directors - Gary Oldman was great to work with, for me; Tim Roth, too. You work with Scorsese and Spielberg and they were wonderful directors, but for me, working with actor/directors is special.
I don't have any problem working with first-time directors because all directors have to start somewhere and all great directors have had a first film. So, if you take the view that you don't want to work with a first-timer, you might miss out on a fantastic opportunity.
I go where the material is, and I feel like I'm looking for really strong directors. That's the key ingredient. There are some directors I would move the sun and earth for, or stop the rotation of the planets, just to work with them.
I was not looking for the money. I was looking for the opportunity that I was going to be a starter and play a decent amount of minutes.
Tech is not looking for inclusion per se, but they're looking for assimilation. They're looking for Blacks and Latinos and women, but they are looking for these groups as versions of themselves.
China and the Asian territory is an incredible opportunity. We spend a lot of time looking at it, looking for the right partners.
Opportunities do not float like clouds in the sky. They're attached to people. If you're looking for an opportunity, you're really looking for a person.
There's a desire for me in the work, even when I'm looking at the past, to be looking from the present. It's to be here now. It's looking in the present tense.
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