A Quote by Ludovico Einaudi

The London Olympic Opening Ceremony was excellent. The mixture of old and new, of classic and contemporary was a beautiful reflection of Great Britain. Danny Boyle is a genius.
I watched my idol and fellow Dutchman Tiesto. He was the first DJ to play live on stage at an Olympic event - the Opening Ceremony of the 2004 Summer Olympic Games in Athens. At eight years old, all I can remember thinking was, 'I want to be a DJ.'
It has been said that the Opening Ceremony of the Olympic Games is something that an athlete will remember for the rest of their life. It is true. That moment when you walk into the Olympic Stadium as part of the Australian Olympic Team, is a moment that I will never forget.
Since I worked with Danny Boyle before on Slumdog Millionaire, we have great success and everything. So, when I first got the script and the screenplay of Simon (Beaufoy) and I was reading it, even before the shoot, some kind of sounds came into my mind and I put some stuff [down] and sent it to Danny when he was cutting the movie.
Ceremony assists people to adjust to change (a marriage ceremony does this for families), to recognize achievement (a classic example is a graduation ceremony), to relate, to express love, and/or to establish a relationship. Ceremonies are the human way we have to signpost a deal such as a business merger, to trigger off a healthy grief process (such as in divorce or funeral ceremonies), to welcome another human being into the family. So Ceremonies have these excellent effects - they can be used further to announce intentions, to express loyalty and to reinforce a sense of identity.
I didn't see it coming at all. I just wanted to have this new experience with this team of Danny Boyle, Christian (Colson) and Simon (Beaufoy). It was like an excursion for me from my normal routine and the Indian movies I do and that helped.
London can be a platform to look at what living in contemporary Britain is all about.
In each restaurant, I develop a different culinary sensibility. In Paris, I'm more classic, because that's what customers like. In Monaco, it's classic Mediterranean haute cuisine. In London, it's a contemporary French restaurant that I've developed with a U.K. influence and my French know-how.
I came to New York in 2008 not knowing a thing about fashion, but even back then I knew Opening Ceremony was this beautiful, welcoming beacon on the shores of taste, shooting up gorgeous flares for us wayward souls at sea.
I'd work with Danny Boyle every day of the week. No matter what he was doing I would do that.
I believe in Danny Boyle. I really do. I know that he's not going to pull the trigger on something if it's not right.
I came to London during what was called the second British invasion. The music was from Britain, the fashion was from Britain, everything was from Britain, so I knew I had to be in Britain.
While there is a great value in things that are old, it seems that the overwhelming challenge in Britain in the late 20th century is to make every effort to see value in the contemporary and in the future.
I'm not sure I would have ever started to draw, let alone write, if my childhood hadn't been so happy. It was a mixture of comfort and adventure. An excellent mixture!
The opening and closing ceremonies of the London Olympics are mass satanic rituals disguised as a celebration of Britain and sport. Their medium is the language of symbolism.
I've been obsessed with Opening Ceremony since I moved to New York. I've spent whole paychecks there.
I listen to a mixture of old jazz, contemporary, pop, some world beat stuff and various odds and ends.
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