A Quote by Ludwig Goransson

I think I'm a pretty good listener. — © Ludwig Goransson
I think I'm a pretty good listener.
I'm very thankful, hearing impairment or not, that I've brought listening into my life. I will never say that I'm a good listener, however. Thinking that I was a good listener was one thing that kept me from being a good listener. It's a very dangerous thought. I just want to be better.
I think, to be a great conversationalist, you need to be interested in being in said conversation. Oddly enough, I think you need to be a great listener, and I do think I'm a good listener. I think that's my asset - I always listen to people when I talk to them, and that's a big thing you have to have in life and in podcasts.
The best thing I could say is you do have to be a really good listener. If I go to a family reunion, and there's 400 people there, everybody comes up and tells me their stories, right? And I think that when you're a good listener, and you can imagine how someone's talking, dialogue is your key friend, is it not?
I'm a pretty good listener.
Tommy (Thompson) is a good listener, and he's a pretty good actor, too.
A good listener is not someone with nothing to say. A good listener is a good talker with a sore throat.
I don't think you can be a good listener unless you're a good listener. I think it's something that you really have to do, and if you really do it, then you can do it. If you don't do it, then you can't do it.
I've written in the middle of a conversation or the grocery store or at another band's concert or in the last moments before falling asleep. It's pretty unpredictable. I think it's always flowing, and sometimes I'm not listening. There's no formula for when I'm going to be able to be a good listener to myself.
The challenge for a good musician is to bring out compositions that seem fresh to the listener, even if the listener has heard the song or the composition before.
I think it's very pretty. Can it be pretty if no one thinks it's pretty? I think it's pretty. If you're the only one? That's pretty pretty. And what about the boys? Don't you want them to think you're pretty? I wouldn't want a boy to think I was pretty unless he was the kind of boy who thought I was pretty.
When I speak of the gifted listener, I am thinking of the nonmusician primarily, of the listener who intends to retain his amateur status. It is the thought of just such a listener that excites the composer in me.
I like to think of myself as a pretty good athlete, I don't think I'm a great sprinter, but 200, 400, maybe 800. I won't say excel in them, but I'd do pretty good.
Writing original songs is much, much harder (I think) because you only have yourself to conjure up EVERY single moment a listener is going to hear. It's a craft that goes directly from your brain to their ears. You can never be sure that what you're writing is gonna be good enough to keep a listener engaged and truly experience something. It's a shot in the dark.
I think I'm generally a good listener anyway.
I think I am quite a good listener.
Most importantly, how impressive can I be to people that bought tickets, where they never feel, "It was pretty good." If anyone thinks my show was "pretty good," then I've completely failed. I think every comic should think that.
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