A Quote by Ludwig Goransson
I think the more you know people and the more you get to know artists, the better you can collaborate.
Related Quotes
I tell you what I love - and I think you get better as you get older - when you're younger and you don't know what you don't know, you tend to talk more about what you think you know. You shut out the opportunity to learn what you don't know.
Whether it's a song that might deviate from an artists' usual sound or even if it's still very much in their world, I think the more people opening themselves up creatively to collaborate with others, the better.
The more you play against teams and defenders, the more you get to know them. You know if they are more nervous; you know, on the pitch, people are different. I try to adapt to their character.
Having more curators to go around among the artists is more effective and more efficient. The artists are better looked after so you get better works. What isn't so effective is actually that some visitors and some members of the press really want a single voice with which they can relate.
As you get older and you realize you really don't know as much as you think you know, you listen more. Because then you think, now I need to be more receptive to the things I don't know. That's how you learn.
I actually think in a funny way, I feel better at TV now. As I get older, I know what I think and I know what works and I enjoy it more.
You know, the more you can meet people from different walks of life, the better it is for you. I think the more you can create situations and experiences that give you new perspective, the better.
I think that you can get more passionate about somebody the longer you're with them and the more you know them and the more you go through together. Being married is definitely better than it's cracked up to be I think.
The more I get to know more artists, the more they inspire me.
I think there's just an inherent burden of being alive and being a woman. No man would ever admit that, but I think women know it, which is: You know more than men, you know more than most people you're dealing with every day, and you know that's it up to you to make things move forward, and you get paid half as much, but you just do it.
I'm much more concerned about what artists think. But as you get older you tend to get much more isolated; you're not out in the bar, having long drunken arguments on the benefits of your work vs. someone else's. It's hard to know how people are looking at it, and you don't get much feedback. The written critical stuff seems to be the feedback, but that's hard to interpret.
The goal is that people will find something of themselves in it. But you don't need to know what a hexachord is! You don't need to know what serialism is. You don't need to know anything technical. It's more about the state of mind of being open and listening to what's really going on. And I think that the more open you can be, the better. So maybe it's not good to have expectations.
I hope I can get to more and more of the Chinese audience and kind of lead the way to maybe, y'know, inspire seems like a big word, but y'know... inspire to get people into entertainment because I think we can be just as good as anybody else.
I think when you're collecting, the best advice is just 'see see see see.' The more you get used to the nuances of the art world and what people are doing and whose opinion matters, the more you can tune your own collection and know that these are works that do count; these are artists that will be of relevance tomorrow.
The more we get to know God, the more we want to know him better.
I think - I really think my voice has gotten better in the last two or three years. I don't know why. I've been doing a lot of - a lot more lead singing, and everybody tells me that my voice was better than ever and I agree with them. Maybe I've learned to do more with it. I don't know what.
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