A Quote by Ludwig Goransson
I never used to get calls from artists or labels, but once you have a top 20 hit, you start getting them.
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Big labels can buy you radio play, they can buy you social media likes and YouTube views. I don't have any of that, but I'm still getting a Top 3 album and Top 20 singles.
[A comic book writers' union] will never happen. Someone will always be willing to write Batman for free. ... You sit at a bar with an editor at a show and you see 19 people come up and pitch ideas at them. If everybody writing the top 20 books all quit and demanded, 'Union now, union forever,' those 19 guys would be getting phone calls. There will never be a union. I think things are getting better - I bet things have never been so good - but there will never be a union.
I think you start hitting home runs, and you start getting caught up in seeing how far you can hit them. They're fun, but you really only have to hit them a foot over the fence. They all count the same.
There are certain things I can't do, certain pitches I can't hit. You stay away from them. You try to wait for pitches you can hit. The bat speed isn't what it used to be. You make up for it by using your head, working counts, getting ahead in counts and getting pitches to hit and hitting them hard.
The fun of the game is right now. A lot of people don't really realize that. They think you have to get to the top to start having fun, and it's not. It's the journey getting to the top where everything is always great. I'm on the 'Ferris Bueller' thing where I look around every once in a while so I don't miss it.
It's the same when you listen to any kind of successful athlete. My older brother has a useful name for them - he calls them lottery ticket careers. I are engaged in what he calls these lottery ticket careers. On the one hand it's very, very unlikely that you're ever going to hit it. On the other hand if you do hit it, you really hit it. You have to be engaged with it, though, maybe you're entire life. And if you never actually do hit it? You kind of jovially lie yourself along the way and recognize that it may produce things outside the hitting it kinds of goods, I suppose.
Just two years after hitting the top, I hit the bottom. I found myself penniless, deathly ill and getting a divorce. It was all a result of my ignorance. I didn't know how to handle everything that hit me at once.
When our video of 'Smooth Criminal' came out, suddenly we started getting all kinds of offers. We were getting calls from TV shows like 'Ellen DeGeneres' and from record labels.
I'm still learning to be the best actor I can be, and I have a long way to go to get to the level I would like to be at. My focus is still 100% acting acting acting. Once I hit a point where I feel very comfortable as an actor - because you can never stop learning, I don't care how comfortable you get, you can never stop learning - but once I hit a point where I can get that comfort level of taking on the task of directing and having the confidence in myself to have people's respect when I give them direction, that's definitely something I want to do someday.
In almost any change there is 20 - 60 - 20. 20% are doing the change and we need to stay out of their way. 20% will never get there (a large percent still go into banks to see tellers vs. ATMs). 60% are in the middle. I think you will always find some companies where the head of HR is not a member of senior management team (bottom 20% and some companies where she or he has always been (top 20%).
You will see nowadays TV's Top 20 and Radio's Top 20 tend to be the same. And then there are films that never reach to mass audience, and because of that, their soundtrack also dies a silent death.
We know that if you have $20 million, it's better to buy a van Gough print than it is buy an executive jet, from the point of view of the environment. But when you start getting down, it's like the recycling question: What are things we can really afford to do, and how much pleasure do we get out of them? We haven't even started to have that discussion, and it's getting awfully late.
I used to get made fun of in the minor leagues. I'd be 0 for 2, and then in my last at-bat I'd hit a chopper that wouldn't even reach the shortstop, and I'd get a hit out of it. The guys would be all over me, but a hit's a hit. I'll take 3,000 of 'em.
My mind never left 20, because once it does, that's when you start to die.
One of my brothers used to tell me all the time, "Listen, nobody is going to discover you in the living room." It's about being interactive in life and participating in your own life. Once you get a grasp on that, you understand. "OK, I can take a couple of knocks. They can hit me on the chin, and I can get up." That's what it's about. It's not about not getting knocked down but getting up. Making sure that you keep pursuing whatever that passion is. For me, that passion is entertainment.
The living can't quit living because the world has turned terrible and people they love and need are killed. They can't because they don't. The light that shines into darkness and never goes out calls them on into life. It calls them back again into the great room. It calls them into their bodies and into the world, into whatever the world will require. It calls them into work and pleasure, goodness and beauty, and the company of other loved ones.
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