A Quote by Ludwig Goransson

I think to try to make new music and new ideas, you have to push the boundaries of existing music. — © Ludwig Goransson
I think to try to make new music and new ideas, you have to push the boundaries of existing music.
What happens when I'm making a new album is I try not to listen to music that's coming out at the time. I turn off the radio and don't read any music blogs, because I tend to get really distracted by new music. When I hear it, I think, "Should I be doing that?"
These are the sort of things that push you on in music - the curiosity, a passion for new ideas.
I don't stop digging for new music. This way, I naturally listen to a lot of music, and it leads to new ideas for mash-ups.
When I listen to music, there's usually some aspect of that music that I like, and that's what I take and try to bring into my own music. Bringing in other musicians to collaborate with is a good way for me to test out new ways or make music that I might have not discovered on my own.
As an artist, you're always trying to reach a new height, do something new, try something you haven't done before, and push your boundaries.
I try to push design boundaries using new draping and fabric manipulation techniques every time I approach a new design.
I wish more people would be allowed to take risks and try new things and new ideas because new ideas are what this industry desperately needs. I mean, how many shooters can you make?
I try to see each new season as a new challenge because I have a new team to work with, new opponents to encounter, and often new ideas and theories to try
A lot of singers think all they have to do is exercise their tonsils to get ahead. They refuse to look for new ideas and new outlets, so they fall by the wayside... I'm going to try to find out the new ideas before the others do.
I think we are really in touch with what's going on around us in the world of music, trying to push the bar forward and try new and exciting things that our fans can react to.
I listen to a wide range of music, from country to pop to alternative rock, as well as Indian music. You know, what excites me are new ideas. And with a lot of the international hits - from Lady Gaga to Rihanna and others - you'd find excellent production and groundbreaking ideas that lift the music to a greater realm.
As far as my New York influence, one thing I'm proud of in my career is, I rep Brooklyn, New York all day. But people don't look at my music as New York music. People consider my music underground music.
I love music. I've just been putting studios together, here and at my house in New Jersey and so I can always make music and express my ideas and work with people to fine tune them to where they need to be.
The music and movie business has been consistently wrong in its claims that new platforms and channels would be the end of its businesses. In each case, the new technology produced a new market far larger than the impact it had on the existing market.
Electronic music was just discovery about sound, all our sound options. The core percussions and melodies, they forget about it, they didn't think about those those for a good four, five years, because they were just discovering the new tools and what they could do with them, you know? The big folk revival, I think is a backlash against that. And now, I think they'll probably try to find somewhere in the middle. It's interesting. It's like push-and-pull. It's always like that, you know? Music history is always like that, this repeating evolution of music.
So you do shorter versions of the hits, or you take out a long guitar solo or things like that to make time for the hits and new music as well. But I don't think any of us ever get to do as much new music as we would like to.
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