A Quote by Ludwig Mies van der Rohe

After my time in Holland, an inner battle ensued in which I tried to free myself from the influence of Schinkelesque classicism. — © Ludwig Mies van der Rohe
After my time in Holland, an inner battle ensued in which I tried to free myself from the influence of Schinkelesque classicism.
Poetry is the universal art of the spirit which has become free in itself and which is not tied down for its realization to external sensuous material; instead, it launches out exclusively in the inner space and the inner time of ideas and feelings.
There's no one on the road that I tried to pattern myself after. There's no one in history that I tried to pattern myself after. Because one thing I was told that in standup you want to develop your own voice.
I'm a shareholder in three networks in Holland. That allows me to put ideas that we create in Holland on air in Holland, and if it works, then we distribute the show's format globally.
As the pilot of a vessel is tried in the storm; as the wrestler is tried in the ring, the soldier in the battle, and the hero in adversity: so is the Christian tried in temptation.
Every soldier must know, before he goes into battle, how the little battle he is to fight fits into the larger picture, and how the success of his fighting will influence the battle as a whole.
I wanted to revolutionise habits and contemporary life - to liberate nature, to free it from the authority of old theories and classicism... I felt a tremendous urge to re-create a new world seen through my own eyes, a world which was entirely mine.
I want to warn against the Fifth Column which is trying to hinder our free way of life in Holland.
I'm kind of well-known in Holland, which is nice. But in Holland, we're down to earth; there are no paparazzi in my garden and no autograph hunters at the door. We have 'Strictly Come Dancing,' but I've not been asked.
A myth is a fantasy, a preferred lie, a foundational story, a hypnotic trance, an identity game, a virtual reality, one that can be either inspirational or despairing. It is a story in which I cast myself; it is my inner cinema, the motion picture of my inner reality - one that moves all the time. No diagnosis can fix the myth, no cure can settle it, because our inner life is precisely what, in us, will not lie still.
The United States must not adopt the tactics of the enemy. Means are important, as ends. Crisis makes it tempting to ignore the wise restraints that make men free. But each time we do so, each time the means we use are wrong, our inner strength, the strength which makes us free, is lessened.
When I myself had twice or thrice made a resolute resistance unto anger, the like befell me that did the Thebans; who, having once foiled the Lacedaemonians (who before that time had held themselves invincible), never after lost so much as one battle which they fought against them.
I believe in the battle-whether it's the battle of a campaign or the battle of this office, which is a continuing battle.
When I lived in Holland, it was a lot of television, watching Netflix all the time. You eat at 6 o'clock, 7 o'clock, you are finished at 8, and then you go lay down. You rest. That's what I did in Holland.
Poets are the hierophants of an unapprehended inspiration; the mirrors of the gigantic shadows which futurity casts upon the present; the words which express what they understand not; the trumpets which sing to battle, and feel not what they inspire; the influence which is moved not, but moves. Poets are the unacknowledged legislators of the world.
I started as a model in Holland and Chanel took me to New York when I was 19, after which I decided to stay.
It is sad to tell, but after having tried society, which had caused his misfortune, he tried Providence which created society, and condemned it also.
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