A Quote by Ludwig Mies van der Rohe
Architecture starts when you carefully put two bricks together. There it begins.
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Architecture begins when you place two bricks carefully together.
Be united with other Christians. A wall with loose bricks is not good. The bricks must be cemented together.
Freedom of the press is the mortar that binds together the bricks of democracy -- and it is also the open window embedded in those bricks.
When I work there are two distinct phases: the phase of pushing the work along, getting something to happen, where all the input comes from me, and phase two, where things start to combine in a way that wasn't expected or predicted by what I supplied. Once phase two begins everything is okay, because then the work starts to dictate its own terms. It starts to get an identity which demands certain future moves. But during the first phase you often find that you come to a full stop.
You can spread your soul over a paddy field, you can whisper to a mango tree, you can feel the earth between your toes and know that this is the place, the place where it begins and ends. But what can you tell to a pile of bricks? The bricks will not be moved (page 87).
The dynamic between two individuals starts off with everything warm and nice and fabulous and good. Working and living together can serve you quite well, but when it starts to go wrong - oh, boy!
The substance of fictional architecture is not bricks and mortar but evanescent consciousness.
Put two things together which have never been put together before, and some schmuck will buy it.
You put together two things that have not been put together before. And the world is changed.
You put together two people who have not been put together before; and sometimes the world is changed, sometimes not. They may crash and burn, or burn and crash. But sometimes, something new is made, and then the world is changed. Together, in that first exaltation, that first roaring sense of uplift, they are greater than their two separate selves. Together, they see further, and they see more clearly.
Architecture is art. I don't think you should say that too much, but it is art. I mean, architecture is many, many things. Architecture is science, is technology, is geography, is typography, is anthropology, is sociology, is art, is history. You know all this comes together. Architecture is a kind of bouillabaisse, an incredible bouillabaisse. And, by the way, architecture is also a very polluted art in the sense that it's polluted by life, and by the complexity of things.
MOST of the ugliness in the human narrative comes from a distorted quest to possess beauty. COVETING begins with appreciating blessings: MURDER begins with a hunger for justice. LUST begins with a recognition of beauty. GLUTTONY begins when our enjoyment of the delectable gifts of GOD starts to consume us. IDOLATRY begins when our seeing a reflection of God in something beautiful leads to our thinking that the beautiful image bearer is worthy of WORSHIP.
I have never laid a brick in my life. But my people have laid more bricks than anybody else put together. Because I know how to pay.
In a script, you have to link various episodes together, you have to generate suspense and you have to assemble things - through editing, for example. It's exactly the same in architecture. Architects also put together spatial episodes to make sequences.
I don't do much rewriting, because each paragraph is very carefully put together.
Bricks will be most serviceable if made two years before using; for they cannot dry thoroughly in less time. When fresh undried bricks are used in a wall, the stucco covering stiffens and hardens into a permanent mass, but the bricks settle and the motion caused by their shrinking prevents them from adhering to it, and they are separated from their union with it. At Utica in constructing walls they use brick only if it is dry and made five years previously, and approved as such by the authority of a magistrate.
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