A Quote by Ludwig Mies van der Rohe
The building art is man's spatial dialogue with his environment and demonstrates how he asserts himself therein and how he masters it.
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Man is the creature that cannot emerge from himself, that knows his fellows only in himself; when he asserts the contrary, he is lying.
No matter how much a young man likes to think for himself, he is always trying to model himself on some abstract pattern largely derived from the example of the world around him. And a man, no matter how conservative, shows his own worth by his personal deviation from that pattern.
A man of talent is not born to be left to himself, but to devote himself to art and good masters who will make something of him.
Self-determination, the autonomy of the individual, asserts itself in the right to race his automobile, to handle his power tools, to buy a gun, to communicate to mass audiences his opinion, no matter how ignorant, how aggressive, it may be.
Scientific and technological "solutions" which poison the environment or degrade the social structure and man himself are of no benefit, no matter how brilliantly conceived or how great their superficial attraction.
I began as a dramatist in the theater, so I'm always thinking about how a story moves, what it looks like, how to engage the senses, how dialogue sounds, what feels authentic and sounds real, what's funny, how to build distinctive and original characters - all the aspects of playwriting, scene-building, the architecture of dramatizing.
He [Benny Carter] is all that every jazz musician the world over wants to be. He's performed 20,000 nights. How many shoes have been shined? How much mascara put on? Rouge? How many of those impossible bowties have been tied? How many love songs have been sung? How many dances have been danced? How many have passed to the sound of his music? It's been said that a man should not be forced to live up to his art. Benny Carter is one of the rare instances when we wonder whether the great art that a man has created can live up to him.
The true measure of a man is not his intelligence or how high he rises in this freak establishment. No, the true measure of a man is this: how quickly can he respond to the needs of others and how much of himself he can give.
The building art is, in reality, always the spatial execution of spiritual decisions. It is bound to its times and manifests itself only in addressing vital tasks with the means of its times. A knowledge of the times, its tasks, and its means is the necessary precondition of work in the building art.
See how he cowers and sneaks, how vaguely all the day he fears, not being immortal nor divine, but the slave and prisoner of his own opinion of himself, a fame won by his own deeds. Public opinion is a weak tyrant compared with our own private opinion. What a man thinks of himself, that it is which determines, or rather indicates, his fate.
For the essence of sin is man substituting himself for God [Gen. 3:1-7], while the essence of salvation is God substituting himself for man [2 Cor. 5:21]. Man asserts himself against God and puts himself where only God deserves to be; God sacrifices himself for man and puts himself where only man deserves to be.
Rational behavior ... depends upon a ceaseless flow of data from the environment. It depends upon the power of the individual to predict, with at least a fair success, the outcome of his own actions. To do this, he must be able to predict how the environment will respond to his acts. Sanity, itself, thus hinges on man's ability to predict his immediate, personal future on the basis of information fed him by the environment.
Growing up in a traditional environment, I was taught the importance of art, how it's connected to the soul, how it makes a human being. This made me understand and cherish American art forms.
It is often tragic to see how blatantly a man bungles his own life and the lives of others yet remains totally incapable of seeing how much the whole tragedy originates in himself, and how he continually feeds it and keeps it going.
It demonstrates to his simple mind in the most positive manner that we have no prejudice against him on account of his race, and that while he behaves himself he will be treated the same as a white man.
And David saw himself reflected in the Woodsman's eyes, and there he was no longer old but a young man, for a man is always his father's child no matter how old he is or how long they have been apart.
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