A Quote by Ludwig Mies van der Rohe
Where can we find greater structural clarity than in the wooden buildings of old? Where else can we find such unity of material, construction and form? here, the wisdom of whole generations is stored.
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Where can we find greater structural clarity than in the wooden buildings of the old. Where else can we find such unity of material, construction and form? Here the wisdom of whole generations is stored. What feelings for material and what power of expression there is in these buildings! What warmth and beauty they have! They seem to be echoes of old songs.
The amount of sensory material stored up or stored down in the brain's and the body's systems is inestimable. It's like a culture at the bottom of a jar, although it doesn't grow, I think, or help anything else to grow unless you find a way to reach it and touch it.
Balance is the key to my serenity. I attain balance by listening to my inner wisdom and to the wisdom of others. There is no situation in which I cannot find a point of balance. There is no circumstance in which I cannot find inner harmony. As I ask to be led into equilibrium and clarity, I will find that my answers come to me. I am wiser than I know, more capable of right action and attitudes than I yet believe. In every event, I seek the balance point of God's action through me.
What wisdom can you find that is greater than kindness?
I always find the first thing that really bothers me when I start a screenplay is, I have to find a different form. You can't follow the form of the novel. It's a different thing completely. It's impossible. You just somehow have to find a structure for the whole thing. You have to crack that.
Point is, you can't find a country on earth with a higher standard of living. You can't find a country higher than America. You can't find a place on earth where the opportunity to grow your standard of living, as an individual, is greater than the United States of America. Capitalism may not be perfect, but it's better than anything else that's out there.
My approach is not a scientific approach. For that, we have greater minds than mine. My approach is: I am in the possession of a text, it has survived so many centuries, and it is my task, my pleasure, to try to decipher it and find all the things that have been said about these few words by generations and generations of commentators. That is what I'm doing. I don't innovate anything. I'm just repeating.
Cities need old buildings so badly it is probably impossible for vigorous streets and districts to grow without them.... for really new ideas of any kind--no matter how ultimately profitable or otherwise successful some of them might prove to be--there is no leeway for such chancy trial, error and experimentation in the high-overhead economy of new construction. Old ideas can sometimes use new buildings. New ideas must use old buildings.
Sometimes I long for a convent cell, with the sublime wisdom of centuries set out on bookshelves all along the wall and a view across the cornfields--there must be cornfields and they must wave in the breeze--and there I would immerse myself in the wisdom of the ages and in myself. Then I might perhaps find peace and clarity. But that would be no great feat. It is right here, in this very place, in the here and the now, that I must find them.
Route 192 is its own thing, and you can't find that anywhere else. The colors and shapes of the buildings, the way that all the small businesses in a way feed off of the parks and sort of rip off the themes of Disney - you're not going to find that anywhere else.
Initiate giving. Don't wait for someone to ask. See what happens - especially to you. You may find that you gain a greater clarity about yourself and about your relationships, as well as more energy rather than less. You may find that, rather than exhausting yourself or your resources, you will replenish them. Such is the power of mindful, selfless generosity. At the deepest level, there is no giver, no gift, and no recipient . . . only the universe rearranging itself.
We talked to a lot of filmmakers who had worked on other anthologies and we looked at every anthology, and we wanted to just find a different way [for Tales of Halloween]. And being that unity was what the whole spirit of the project was - unity and friendship and community.
[My] goal as an artist is to create increasingly complex images with greater and greater clarity of form and intensity of vision.
When we try to pick out anything by itself we find it hitched to everything else in the universe ... The whole wilderness is unity and interrelation, is alive and familiar, full of humanity. The very stones seem talkative, sympathetic, brotherly.
There is no greater wealth than wisdom, no greater poverty than ignorance; no greater heritage than culture and no greater support than consultation.
You are greater than anything that can happen to you. In a big and terrifying crisis, people find within themselves a power and a strength and also a wisdom they had no idea they possessed.
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