A Quote by Ludwig van Beethoven
Artists who have won fame are often embarrassed by it; thus their first works are often their best.
Related Quotes
I do love compliments, yet I'm often embarrassed to say what I think to the person when I get a compliment. I so often feel that they have not gone far enough.
Fame often rests at first upon something accidental, and often, too, is swept away, or for a time removed; but neither genius nor glory, is conferred at once, nor do they glimmer and fall, like drops in a grotto, at a shout.
The melancholy have the best sense of the comic, the opulent often the best sense of the rustic, the dissolute often the best sense of the moral, and the doubter often the best sense of the religious.
What works at scale may be different from scaling what works. Pilots often succeed, while scale-up often fails when the context changes.
You see failed vocabulary in the adult world so often, and it's often because once you reach a certain age you're kind of embarrassed to go look up a word if you don't know what it means.
Scott has to be one of the most talented artists I've ever seen. He really captures his subjects in a unique way. He is extremely generous as well. How many artists are willing to donate some of their best works to charity? The Texas Sports Hall of Fame has benefited greatly from Medlock's donated paintings, which are the cornerstones of our auction!
The facts of nature are what they are, but we can only view them through the spectacles of our mind. Our mind works largely by metaphor and comparison, not always (or often) by relentless logic. When we are caught in conceptual traps, the best exit is often a change in metaphor not because the new guideline will be truer to nature (for neither the old nor the new metaphor lies "out there" in the woods), but because we need a shift to more fruitful perspectives, and metaphor is often the best agent of conceptual transition.
The traditional difficulty of balancing the mechanical with the imaginative schools of photography still operates. In schools of photography meaningful art education is often lacking and on the strength of their technical ability alone students, deprived of a richer artistic training, are sent forth inculcated with the belief that they are creative photographers and artists. It is yet a fact that today, as in the past, the most inspiring and provocative works in photography come as much (and probably more) from those who are in the first place artists.
When I finish a first draft, I often look back at first chapters I wrote and laugh at them. They're like pictures of yourself in middle school. You're embarrassed to see them.
Artists have their existential questions as human beings, and they address these questions in their works. But they are also thinking in a broader sense when they participate in a social and political debate through their works. Often the most important voices of artists in the political and the social debate are focused on originality in their works. We can see this in historical pieces, like "Guernica" by Picasso. "Guernica" was an extremely important manifestation and critique against war, but it was important and powerful because it was also an incredibly original and powerful work of art.
Artists have no less talents than ever, their taste, their vision, their sentiment are often interesting; they are mighty in their independence and feeble only in their works.
So often we give God a partial obedience. We do not dare to disobey, but we do not care to obey fully. So we compromise. We do some of what we should, thus removing the stigma of disobedience. But we refrain from the most difficult or objectionable or uncomfortable part, and thus try to get the best of both worlds.
I sort of understood that when I first started: that you shouldn't repeat a success. Very often you're going to, and maybe the first time you do, it works. And you love it. But then you're trapped.
Thus it often is, that the constant friction of illiberal minds wears out at last the best resolves of the more generous.
Through American history, we have had populist movements that often, often, often have this ugly racial element. But, often, there are warning signs of some deeper social and economic problem.
Single parent situations drive poverty and often lead to unsupervised kids. Many boys growing up without fathers often feel angry and abandoned. Thus, they seek comfort in all the wrong places.
Related Authors
Alexandre Desplat Quotes
French
Composer
Andrew Lloyd Webber Quotes
British
Composer
Anu Malik Quotes
Indian
Composer
Henry Mancini Quotes
American
Composer
Igor Stravinsky Quotes
Russian
Composer
Johann Johannsson Quotes
Icelander
Composer
John Cage Quotes
American
Composer
John Walter Bratton Quotes
American
Composer
Krzysztof Penderecki Quotes
Polish
Composer
Michael Giacchino Quotes
American
Composer
Pauline Oliveros Quotes
American
Composer
Ramin Djawadi Quotes
German
Composer
Richard Wagner Quotes
German
Composer
Ryuichi Sakamoto Quotes
Japanese
Composer
Stephen Hough Quotes
British
Composer
Stephen Sondheim Quotes
American
Composer