A Quote by Ludwig van Beethoven
Let your deafness no longer be a secret - even in art.
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What matters deafness of the ear, when the mind hears? The one true deafness, the incurable deafness, is that of the mind.
There is always a struggle, a striving for something bigger than yourself in all forms of art. And even if you don't achieve greatness, even if you fail, which we all must, everything you do in your work is somehow connected with your attitude toward life, your deepest secret feelings.
There's something quite magical that can happen when a secret is no longer a secret - or is a shared secret or a common secret. By allowing those boundaries to be porous, certain forms of oppression may be lifted.
When violence against women is no longer societally accepted, no longer kept secret; when everyone understands that even one case is too many. That's when it will change.
But I was not in the band, because I suffer from the kind of tone deafness that is generally associated with actual deafness
The difference between deafness and any other disability is that there is no way to put yourself in a position of knowing what it would be like because you can't stop yourself from hearing your own breath or your own heartbeat. You can not remove sound entirely from your life. You can get a sense of what being blind is like by closing and covering your eyes which provides a source of empathy because we can all project ourselves to that. But people who think they can project themselves into deafness are mistaken because you can't.
Street art is designed to be seen out of the corner of your eye, on the hoof. Art that's made for galleries is made to be looked at in a more static way for a longer period of time and may not be so striking immediately, but perhaps resonates for a longer period.
From now on there is no longer any development immanent to art. The times have passed for history of art with a logical sense. There is no longer even any consistency in absurdities; the development has been wound up, and what comes now already exists: the syncretism of a muddle of all styles and possibilities, post-history.
I know now that he who hopes to be universal in his art must plant in his own soil. Great art is like a tree, which grows in a particular place and has a trunk, leaves, blossoms, boughs, fruit, and roots of its own. The more native art is, the more it belongs to the entire world, because taste is rooted in nature. When art is true, it is one with nature. This is the secret of primitive art and also of the art of the mastersMichelangelo, Czanne, Seurat, and Renoir. The secret of my best work is that it is Mexican.
I like to say that the greatest handicap of deafness does not lie in the ear, it lies in the mind. I hope that through my example, such as my role on 'The West Wing,' I can help change attitudes on deafness and prove we can really do everything... except hear.
I am one of those marranes who no longer say they are Jews even in the secret of their own hearts.
The secret of Greek Art is its imitation of nature even to the minutest details; whereas the secret of Indian Art is to represent the ideal. The energy of the Greek painter is spent in perhaps painting a piece of flesh, and he is so successful that a dog is deluded into taking it to be a real bit of meat and so goes to bite it. Now, what glory is there in merely imitating nature? Why not place an actual bit of flesh before the dog?
The minute more than two people know a secret, it is no longer a secret.
The secret of a successful art career is to make more art that folks think they need than pieces they just want. When a piece of art emotionally connects with a person the work becomes a need. You are then on your way to becoming successful.
If I was asked to get rid of the Zen aesthetic and just keep one quality necessary to create art, I would say it's trust. When you learn to trust yourself implicitly, you no longer need to prove something through your art. You simply allow it to come out, to be as it is. This is when creating art becomes effortless. It happens just as you grow your hair. It grows.
A theologian who does not love art, poetry, music and nature can be dangerous. Blindness and deafness toward the beautiful are not incidental; they necessarily are reflected in his theology.
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