A Quote by Ludwig Wittgenstein

Imagine someone pointing to a place in the iris of a Rembrandt eye and saying, 'The walls of my room should be painted this color. — © Ludwig Wittgenstein
Imagine someone pointing to a place in the iris of a Rembrandt eye and saying, 'The walls of my room should be painted this color.
I had been doing wall drawings, but they were always black and white. Then in 1993 I painted all the walls of a room to make an installation and as soon as I saw the colour on the walls, it changed my whole life.
I felt like it needed some color down there, so I painted the walls with the motherfucker.
When I was a kid I painted the walls in my room like 30 times!
During college, when I was working full time for my father [the decorator Mark Hampton], I rented an apartment and I just couldn't take time off to paint it. So I went there one evening and stayed up all night painting the place what I thought was a lovely pale yellow. When the sun came up, I realized I'd painted the walls the color of insanity. I had to immediately mix in all my trim color to tone it down. Yellow is an electric color and wholly misleading. It becomes more yellow with the sun's yellow light on it. The moral is, even if you think your yellow is the one, go paler.
Color is a very personal thing. You need to make sure to choose a color that makes you happy. But I don't recommend accent walls - choose a color you can live with on all four walls.
In a small powder room, the inclination is to go with a light wall color. My trick is to do the opposite - such as a patterned wallpaper or a deep color on the walls. It's more interesting and makes a design statement.
Color is a big part of what I do. It's like music. There are only so many notes in the scale, but there are endless permutations; there's no limit to the number. Color on the walls or furniture can reflect back and distort the reality of the true colors of lipsticks and eye shadow.
If someone's pointing a gun at you, you get a surge of adrenaline, but it would be a lot better if they weren't pointing the gun at you in the first place.
It's a birthmark called nevus of Ota. It covers the whole white of my eye and darkens it. The square of the eye, the white part, is completely dark on my right eye, not just the iris.
It sometimes takes a foreigner to come and see a place and paint it. I remember someone saying they had never really noticed the palm trees here until I painted them.
There's smoke in my iris, but I painted a sunny day on the insides of my eyelids
There is a saying, 'Eyes are the windows to the soul.' It means, mostly, people can see through someone else by eye contact in seven seconds. I have a habit that if I meet someone I don't know, I'd like to look at her or his eyes on purpose. When my eyes lay on them, I can immediately see their true color.
Walls protect and walls limit. It is in the nature of walls that they should fall. That walls should fall is the consequence of blowing your own trumpet.
Sometimes you go into a waiting room, and the audition room is right there, and the walls are extremely thin. And you can hear every breath that they're saying. And you're used to that. So you go in, and you're like, 'Oh, whatever.'
The room is a special place. It's not "A room" it's THE room. It's a place where there is no restriction. If we title it "a room" it can be any room but it's THE room so it is a special place. We all have this place. It's like our little corner that you are comfortable with.
You should look at certain walls stained with damp, or at stones of uneven color. If you have to invent some backgrounds you will be able to see in these the likeness of divine landscapes, adorned with mountains, ruins, rocks, woods, great plains, hills and valleys in great variety; and expressions of faces and clothes and an infinity of things which you will be able to reduce to their complete and proper forms. In such walls the same thing happens as in the sound of bells, in whose stroke you may find every named word which you can imagine.
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