A Quote by Ludwig Wittgenstein

I am showing my pupils details of an immense landscape which they cannot possibly know their way around. — © Ludwig Wittgenstein
I am showing my pupils details of an immense landscape which they cannot possibly know their way around.
I don't know how in the twenty-first century we can possibly justify not showing girls things that they can aspire to, and at the same time, how can we possibly be showing boys this narrow vision of what women are and what they can be.
The movements which I make I cannot possibly repress because, at the time, I am actually the idea I am interpreting, and naturally I picture my players and auditors as in accord with me. I know, of course, that my mannerisms have been widely discussed.
I cannot possibly conceive of my planet Earth as the centre of a three-tiered universe. I know rather that the sun, around which my planet Earth revolves, is a middle sized star in a galaxy called the Milky Way that has over a hundred billion other suns or stars within it.
Liebig was not a teacher in the ordinary sense of the word. Scientifically productive himself in an unusual degree, and rich in chemical ideas, he imparted the latter to his advanced pupils, to be put by them to experimental proof; he thus brought his pupils gradually to think for themselves, besides showing and explaining to them the methods by which chemical problems might be solved experimentally.
Select such subjects that your pupils cannot walk out without seeing them. Train your pupils to be observers, and have them provided with the specimens about which you speak. If you can find nothing better, take a house-fly or a cricket, and let each one hold a specimen and examine it as you talk.
I like to be flexible in the way I take pictures. I do not use a tripod, and I move around in the crowd, of which I am myself part.... I try to preserve the dynamics of the street, and my way of using the camera tries to approximate as much as possible the way we see: focusing on details, opening up to wider angles, and composing all these very short, fragmented impressions into a larger mental picture.
The good is, like nature, an immense landscape in which man advances through centuries of exploration.
I have the immense joy of being man, a member of a race in which God Himself became incarnate. As if the sorrows and stupidities of the human condition could overwhelm me, now that I realize what we all are. And if only everybody could realize this! But it cannot be explained. There is no way of telling people that they are all walking around shining like the sun.
If the landscape changes, then I don't know who I am either. The landscape is a refracted autobiography. As it disappears you lose your sense of self.
By close-ups of the things around us, by focusing on hidden details of familiar objects, by exploring commonplace milieus under the ingenious guidance of the camera, the film, on the one hand, extends our comprehension of the necessities which rule our lives; on the other hand, it manages to assure us of an immense and unexpected field of action.
I am sometimes referred to as Excuse Me in an annoyed tone of voice, because apparently I am in the way. I am so sorry. I am supposed to be some sort of mind reader, I guess. I am moving out of the way now as slowly as I possibly can. I am doing this and there's nothing you can do about it.
The only way I survived at school was by doing impersonations of teachers and pupils. That led to me winning a talent competition when I was 16; the prize was three or four gigs in working men's clubs. I was just showing off: at the time, I thought that's what acting was.
I am not up there by chance. I am there by choice. And I know the wire. And I know my limits. And I am a madman of details.
I don't know of any source for online maps showing the platform, stairs, escalators, elevators, mezzanines and other station details.
Over the years I've studied the habits of golfers. I know what to look for. Watch their eyes. Fear shows up when there is an enlargement of the pupils. Big pupils lead to big scores.
We cannot embrace the New Mind by just sitting around and talking about it. It demands that we alter not just our thinking, but our way of living down to the smallest details.
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