A Quote by Ludwig Wittgenstein
A philosophical problem has the form: I don't know my way about.
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I would say I was a philosophical boy. Thoughts about 'identical stones' are the earliest philosophical thoughts I remember. But when I was a teenager I also thought about the more typical philosophical problems teenagers think about: the existence of god, the objectivity of morality, whether one can know that the external world exists.
Every philosophical problem, when it is subjected to the necessary analysis and justification, is found either to be not really philosophical at all, or else to be, in the sense in which we are using the word, logical.
Philosophy is problem-solving. There's a philosophical problem, and then you try to solve it by approaching it from different angles and seeing what way works. That's what comedy is: you have a topic and you try to just hit it as many different ways as you can.
I think that happens for a lot of people, they have this idea that there's only one type of way to write poetry and that you have to have this information. You have to know about meter, you have to know about form, you have to know about iambic pentameter, and all of that.
Another problem about writing about politics in the "age of globalization" is that so much of the violence in the form of war and also in the forms of institutional violence - sweatshops, child labor, victimization of people economically - happens elsewhere and out of sight. And when we do know about it and need to witness it, it's always mediated by images of one kind or another, so you're kind of stuck trying to write about what it's like trying to be you living your life thinking about and experiencing this stuff in that way.
Philosophy - reduced, as we have seen, to philosophical discourse - develops from this point on in a different atmosphere and environment from that of ancient philosophy. In modern university philosophy, philosophy is obviously no longer a way of life, or a form of life - unless it be the form of life of a professor of philosophy.
The problem [with genetic research] is, we're just starting down this path, feeling our way in the dark. We have a small lantern in the form of a gene, but the lantern doesn't penetrate more than a couple of hundred feet. We don't know whether we're going to encounter chasms, rock walls or mountain ranges along the way. We don't even know how long the path is.
Somebody who had read Lila asked me, ‘Why do you write about the problem of loneliness?’ I said: ‘It’s not a problem. It’s a condition. It’s a passion of a kind. It’s not a problem. I think that people make it a problem by interpreting it that way.’?
I don't know that we teach it. I don't know that we emphasize it... I understand the philosophical background behind it, but I don't know a lot about it, and I don't think others know a lot about it.
The documentary photographer aims his camera at the real world to record truthfulness. At the same time, he must strive for form, to devise effective ways of organizing and using the material. For content and form are interrelated. The problems presented by content and form must be so developed that the result is fundimentally [sic] true to the realities of life as we know it. The chief problem is to find a form that adequately represents the reality.
Somebody insults you and you feel anger. Don't miss this opportunity; try to understand why, why this anger. And don't make it a philosophical thing. Don't go to the library to consult about anger. Anger is happening to you -- it is an experience, a live experience. Focus your whole attention on it and try to understand why it is happening to you. It is not a philosophical problem. No Freud is to be consulted about it. There is no need! It is just foolish to consult somebody else while anger is happening to you. You can touch it. You can taste it. You will be burned by it.
The problem of racial difference in America - and in modern life more broadly - is always presented as an economic, political, biological or cultural problem. But I want to say that it's at least as much a philosophical and imaginative disaster.
Little as we know about the way in which we are affected by form, by color, and light, we do know this, that they have an actual physical effect.
People say the effect is only on the mind. It is no such thing. The effect is on the body, too. Little as we know about the way in which we are affected by form, by color, and light, we do know this, that they have an actual physical effect. Variety of form and brilliancy of color in the objects presented to patients, are actual means of recovery.
I know that I'm deeply, spiritually, profoundly philosophical and I also know that I'm about the flakiest person you're gonna meet.
Nothing seems to matter quite as much. I no longer think about death in the concentrated way I once did. I don't know? you get so old and you sort of give up in some way. You've had your period of angst, your period of religious desperation, and you've arrived at a philosophical position where you don't need, or you can't bear, to look at it.
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