A Quote by Ludwig Wittgenstein

Uttering a word is like striking a note on the keyboard of the imagination. — © Ludwig Wittgenstein
Uttering a word is like striking a note on the keyboard of the imagination.
The program I use is called MED Soundstudio. It's basically a column of numbers that relate to pitch, duration, the type of sound. If I want to play a chord, I have to press keys on a keyboard - like a computer keyboard, on my Amiga - that relate to sharps and flats, note by note.
You could make your fingers reproduce exactly what you felt, if you really worked at it. I achieved it, not only spending a lot of time at the keyboard but finding ways I could make my fingers reproduce my deepest feelings. It meant, when you hit a note with a finger, you sank into that note all the way to the bottom of the keyboard until it went pow! Right?
It can't be any new note. When you look at the keyboard, all the notes are there already. But if you mean a note enough, it will sound different. You got to pick the notes you really mean!
I'm kind of a one-note at a time, one finger keyboard player.
I can play just about any keyboard but I can't read or write a note.
I either write songs on guitar, or... I don't ever have a keyboard with me, but like, my keyboard on the laptop.
If, as I suspect, my body survives by uttering itself over and over again, then I have some questions. If [I] am one word, so are my daughters, so are all of us in strings and loops. Each life is one short word slowly uttered.
A word is an arbitrary label - that's the foundation of linguistics. But many people think otherwise. They believe in word magic: that uttering a spell, incantation, curse, or prayer can change the world. Don't snicker: Would you ever say, 'Nothing has gone wrong yet' without looking for wood to knock?
In the confusion we stay with each other, happy to be together, speaking without uttering a single word.
The keyboard is my whole life. My life is centered around either sitting at my keyboard or driving my car. Those are the two most important things, more than anything else. Being at my keyboard, it's the happiest time for me.
the curse of human nature is imagination. When a long anticipated moment comes, we always find it pitched a note too low, for the wings of imagination are crushed into its withering sides under the crowding hordes of petty realities.
Imagination comes from yourself and can deceive you, but vision is a gift from outside yourself - like light striking on your closed eyelids and lifting them to see what's really there.
The incomparable greatness of the religions of the East lies in their having been second to none in vibrating with the passion for unity. This note, which is essential to every form of mysticism, has even penetrated them so deeply that we find ourselves falling under a spell simply by uttering the names of their Gods.
Music is made of what we do when we move, and we can only move in certain ways, in certain ranges of tempo because of the inherent constraints that our bodies offer, or you can call them 'affordances' - that's another word for me. It's a little more positive; doesn't make it seem like a limitation, but rather, a set of opportunities. You can say that that's part of music making, but there's also the imagination. The power of the imagination is kind of trumping - sorry to have to use that word.
Taking a new step, uttering a new word, is what people fear most.
As you read a book word by word and page by page, you participate in its creation, just as a cellist playing a Bach suite participates, note by note, in the creation, the coming-to-be, the existence, of the music. And, as you read and re-read, the book of course participates in the creation of you, your thoughts and feelings, the size and temper of your soul.
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