A Quote by Luigi Pirandello
We all have a world of things inside ourselves and each one of us has his own private world. How can we understand each other if the words I use have the sense and the value that I expect them to have, but whoever is listening to me inevitably thinks that those same words have a different sense and value, because of the private world he has inside himself, too.
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THE FATHER: But don't you see that the whole trouble lies here? In words, words. Each one of us has within him a whole world of things, each man of us his own special world. And how can we ever come to an understanding if I put in the words I utter the sense and value of things as I see them; while you who listen to me must inevitably translate them according to the conception of things each one of you has within himself. We think we understand each other, but we never really do.
Men of the world who value the Way all turn to books. But books are nothing more than words. Words have value; what is of value in words is meaning. Meaning has something it is pursuing, but the thing that it is pursuing cannot be put into words and handed down. The world values words and hands down books but, though the world values them, I do not think them worth valuing. What the world takes to be values is not real value.
He was a very private person, and sometimes it seemed to me that he was no longer interested in the world or in other people... I got the feeling that Julián was living in the past, locked in his memories. Julián lived within himself, for his books and inside them - a comfortable prison of his own design." "You say this as if you envied him." "There are worse prisons than words.
The world is not something separate from you and me; the world, society, is the relationship that we establish or seek to establish between each other. So you and I are the problem, and not the world, because the world is the projection of ourselves, and to understand the world we must understand ourselves. That world is not separate from us; we are the world, and our problems are the world's problems.
Bahá'u'lláh is not the Intermediary between other Manifestations and God. Each has His own relation to the Primal Source. But in the sense that Bahá'u'lláh is the greatest Manifestation to yet appear, the One Who consummates the Revelation of Moses; He was the One Moses conversed with in the Burning Bush. In other words Bahá'u'lláh identifies the glory of the Godhead on that occasion with Himself. No distinction can be made amongst the Prophets in the sense that They all proceed from One Source, and are of One Essence. But Their stations and functions in this world are different.
Maybe each human being lives in a unique world, a private world, a world different from those inhabited and experienced by all other humans.
Have you ever considered, beloved other, how invisible we are to each other? We look at each other without seeing. We listen to each other and hear only a voice inside out self. The words of others are mistakes of our hearing, shipwrecks of our understanding. How confidently we believe OUR meanings of other people's words.
Each of us is living our own private journey, and the more we know about each other, the healthier and happier the world will be.
Once a man recognizes himself as a being surrounded by other beings in this world and begins to respect his life and take it to the highest value, he becomes a thinking being. Then he values other lives and experiences them as part of his own life. With that, his goal is to help everyone take their life to the highest value; anything which limits or destroys a life is evil. That is morality. That is how men are related to the world around them.
How many pizzas are consumed each year in the United States? How many words have you spoken in your life? How many different peoples names appear in the New York Times each year? How many watermelons would fit inside the U.S. Capital building? What is the volume of all the human blood in the world?
Each photograph is read as the private appearance of its referent: the age of Photography corresponds precisely to the explosion of the private into the public, or rather into the creation of a new social value, which is the publicity of the private: the private is consumes as such, publicly.
I want to use songs that everybody knows or thinks they know. I want to show them a different side of it and open up that world in a more unique way. You have to believe what the words are saying and the words are as important as the melody. Unless you believe the song and have lived it, there's little sense in performing it. I never wanted to be a singer that
I think that each of us inhabits a private world that others cannot see. The only difference between the writer and the reader is that the writer is able to dramatise that private world.
Photographs don't 'reveal' much at all but instead help us generate a kind of visual vocabulary that we can use to make sense of the world and direct our attention to certain things around us. In other words, they help us learn how to see.
It just fascinates me, those private mechanisms that we use to make sense of the world - whether they have to do with the five senses or not. I think literature is one of the only kinds of art that truly lets us into that.
Each of us believes himself to live directly within the world that surrounds him, to sense its objects and events precisely, and to live in real and current time. I assert that these are perceptual illusions ... Each of us lives within the universe - the prison of his own brain.
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