A Quote by Luigi Pirandello
The facts are to blame, my friend. We are all imprisoned by facts: I was born, I exist.
Related Quotes
Facts are simple and facts are straight. Facts are lazy and facts are late. Facts all come with points of view. Facts don't do what I want them to. Facts just twist the truth around. Facts are living turned inside out.
[The scientist] believes passionately in facts, in measured facts. He believes there are no bad facts, that all facts are good facts, though they may be facts about bad things, and his intellectual satisfaction can come only from the acquisition of accurately known facts, from their organization into a body of knowledge, in which the inter-relationship of the measured facts is the dominant consideration.
I have great hope and faith, but it's a humanistic faith based in facts; you have to believe that facts exist. We can all arrive at the same facts if we engage in the process of experimentation, observation, and verification, which can solve more of the world's major problems than a debate over whether God does or doesn't exist.
Purpose of counter-intelligence action is to disrupt and it is immaterial whether facts exist to substantiate the charge. If facts are present it aids in the success of the proposal but the Bureau feels … that disruption can be accomplished without facts to back it up.
No theory ever agrees with all the facts in its domain, yet it is not always the theory that is to blame. Facts are constituted by older ideologies, and a clash between facts and theories may be proof of progress. It is also a first step in our attempt to find the principles implicit in familiar observational notions.
Thanks to postmodernism, we tend to see all facts as meaningless trivia, no one more vital than any other. Yet this disregard for facts qua facts is intellectually crippling. Facts are the raw material of thought, and the knowledge of significant facts makes sophisticated thought possible.
I'm not afraid of facts, I welcome facts but a congeries of facts is not equivalent to an idea. This is the essential fallacy of the so-called "scientific" mind. People who mistake facts for ideas are incomplete thinkers; they are gossips.
Facts are neutral until human beings add their own meaning to those facts. People make their decisions based on what the facts mean to them, not on the facts themselves. The meaning they add to facts depends on their current story … facts are not terribly useful to influencing others. People don’t need new facts—they need a new story.
So when someone, a veteran stands up and say, "Here are the facts on the VA." He [Donald Trump] says, "No, your facts are wrong." Turns out her facts are right and his facts are wrong.
What are the facts? Again and again and again – what are the facts? Shun wishful thinking, ignore divine revelation, forget what “the stars foretell,” avoid opinion, care not what the neighbors think, never mind the unguessable “verdict of history” – what are the facts, and to how many decimal places? You pilot always into an unknown future; facts are your single clue. Get the facts!
Facts from paper are not the same as facts from people. The reliability of the people giving you the facts is as important as the facts themselves.
The facts: nothing matters but the facts: worship of the facts leads to everything, to happiness first of all and then to wealth.
The facts may tell you one thing. But, God is not limited by the facts. Choose faith in spite of the facts.
I think it's my job or the artist's job, to try and find some solution or some reason to accept things. But given the grimmest reality, I feel the grimmest facts are the real facts, the true facts: that you're born, you die, you suffer, it's to no purpose, and you're gone forever, ever, ever, and that's it.
Oh, don't tell me of facts, I never believe facts; you know, [George] Canning said nothing was so fallacious as facts, except figures.
The primary goal of the so-called nonfiction text is to relay the facts of an event - the facts about a person, the facts of history - which is not why I turned to this genre.
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