A Quote by Luis Alberto Urrea

We want to ascribe a kind of tragic grimness to people, but people are funny. — © Luis Alberto Urrea
We want to ascribe a kind of tragic grimness to people, but people are funny.
I want to be funny. When I first started writing, I didn't find my stories funny, but people kept saying they were. It kind of worried me; these are some pretty disturbing and sad pieces. Why do people think they're funny?
Common and vulgar people ascribe all ills that they feel to others; people of little wisdom ascribe to themselves; people of much wisdom, to no one.
As a rule people don't think other people on drugs are funny. They think they are tragic. They have a point, but I still had the funny.
Why do all these people want [comedians] to be serious? The reason they want that is these are people who aren't funny. Anybody funny can be serious, but people who have no sense of humor, they can never be funny - and frankly, they're jealous. There's very few comic actors. Think about it. There aren't that many. It's hard because you have to be able to do both.
What people really want is not to make something funny, but to make something amusing - which, in many ways, is the opposite of funny. To amuse someone is to eliminate discomfort and awkwardness, kind of like a massage for the brain, while to be funny is to point out awkwardness and discomfort. Everyone thinks they want funny, but they really want amusement.
Instead of improvisers who want to be funny by themselves, we aim to try and make the scene itself as funny as possible. As a creator, I think that's someone you'd rather work with, whether it's a movie or a sitcom; that kind of methodology is good for collaboration. People want to be with those kinds of performers.
I'm quite sarcastic, and I'm funny, but not kind of funny. It's a weird funny, and some people don't get me, and some people do.
Sometimes people say, do you want a drink? And I say, oh, I'd like to, but I'm a tragic alcoholic. I always say tragic. I'm a tragic alcoholic.
As soon as you start to talk about your own mannerisms, you are screwed. Because if you are aware of your own mannerisms, or beyond that even what makes any one thing funny to people, I really ascribe to that that if you start deconstructing it too much, it is immediately not funny.
An early editor characterized my books as 'romantic comedy for intelligent adults.' I think people see them as funny but kind. I don't set out to write either funny or kind, but it's a voice they like, quirky like me... And you know, people like happy endings.
I want to do things or write things that make people feel a bit more beautiful or tragic or something because there are so many other things than just funny.
I think if you have a funny thought, and you want to get off a funny point, try to do it as realistically as you can. If you try to act it funny and accent the funny points, or do it in a funny style, you kind of lose it.
People often think that you have a sense of humor because you think that life is funny. Life isn't funny at all. It's appalling and tragic.
People ascribe a certain kind of silliness to the movie business. Everybody feels like, "In the movies, they do crazy stuff."
I don't want any funny business, and above all I don't want to be dragged into other people's funny business. If it's to be my head on the block, I want to know that it's doing there, and not that it's some stupid things that other people have done.
People are funny, and in the most tragic situations, when comedy erupts from nowhere, it can turn on its head within the space of a second or a minute. You're laughing one minute and you're crying the next and that's just life for me, and that is what people are like.
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