A Quote by Luis Alberto Urrea

When 'The Hummingbird's Daughter' came out, there was a certain backlash - 'Well, this isn't 'The Devil's Highway.'' That's just the way it goes. — © Luis Alberto Urrea
When 'The Hummingbird's Daughter' came out, there was a certain backlash - 'Well, this isn't 'The Devil's Highway.'' That's just the way it goes.
By the way, did you fellows know that a hummingbird weighs as much as a quarter? Do you think a hummingbird also weighs the same as two dimes and a nickel? But then she asked a question of her own: How do they weigh a hummingbird?
The Devil would be the best way out as an excuse for God; in that way he would be playing the same part as an agent of economic discharge as the Jew does in the world of the Aryan ideal. But even so, one can hold God responsible for the existence of the Devil just as well as for the existence of the wickedness which the Devil embodies.
The Devil is right at home. The Devil, the Devil himself, is right in the house. And the Devil came here yesterday. Yesterday the Devil came here. Right here. And it smells of sulphur still today. Yesterday, ladies and gentlemen, from this rostrum, the president of the United States, the gentleman to whom I refer as the Devil, came here, talking as if he owned the world. Truly. As the owner of the world.
Spring is on the way; summer is on the way; storms are on the way; wars are on the way; sorrow and happiness are on the way; they are all on the way, they are coming! Everything is on the way! Life is a highway; while we are moving on the way, all else is coming towards us! Devil is on the way; angel is on the way! Stay firm on the way!
The tone of 'Into the Beautiful North' is really the way I write. 'Hummingbird's Daughter' was the anomaly. It was a once-in-a-lifetime phenomenon.
I'd written a lot of songs with hummingbirds in them. None of them ever came to anything, but I did write a few lines last month. It went like this: 'Listen to the hummingbird whose wings you cannot see. Listen to the hummingbird, don't listen to me'.
'The Hummingbird's Daughter' took 20 years to write.
I was kind of relieved with the way the book [The Proud Highway] came out. It's beyond an autobiography or a biography. I never knew what was going to come up next.
This is just the way it goes: there's always a cycle with music - it goes up and it goes down, it goes risque and it goes back, it goes loud then it goes soft, then it goes rock and it goes pop.
Then I turned to him commanding That he go the way he came, whence he came. But he answered me in sorrow, "May the Past not seek to borrow From the Present without blame - Just one memory from its store, Ere it goes to come no more, Back the pathway that it came, whence it came?"
I think that battle that you have almost never goes away. You're always questioning and hoping that stuff goes a certain way, that you get a certain reaction.
It became really important to me if I was going to write 'Hummingbird's Daughter' to try to do honor to women.
I got out of the Army - in my world - I came to New York, for instance, when the civil rights movement was just beginning, and that created a certain energy, a certain rumble, a certain impetus for black actors.
We focus on that really repulsive minority of racists. But then there's a continuum that goes all the way to, you know, what used to be called the white backlash or to, you know, the feelings of some white people that they're losing out and that the jobs and power and sort of the culture is drifting away from them and toward people who don't look like them, who don't - who they don't know very well. And that's not necessarily - I don't equate that with the hardcore ideological hatred of self-identified racists.
I have a daughter, and it's a very bad message to send to my daughter that to be valid or accepted or to have value, you have to look a certain way. It's all about appearance, and not about education and not about contributing. I think we've completely lost our way.
I mean, I have a daughter, and it's a very bad message to send to my daughter that to be valid or accepted or to have value, you have to look a certain way. It's all about appearance, and not about education and not about contributing. I think we've completely lost our way.
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