A Quote by Luis Alberto Urrea

I love books with titles like, 'How Do You Spank a Porcupine?,' 'Arnie, the Darling Starling,' or 'The Bat in My Pocket.' — © Luis Alberto Urrea
I love books with titles like, 'How Do You Spank a Porcupine?,' 'Arnie, the Darling Starling,' or 'The Bat in My Pocket.'
I've been very fortunate at having good titles but I just think in terms of titles. I'm doing a workshop now where people write books and they come and I name their books for them. I'm good with titles.
The first song I wrote was called 'Baby Darling Darling Girl,' and you know what's funny? It went, 'Baby darling darling girl, I really love your Jheri Curl.' I thought it was tight as hell.
Fahrenheit 451 is one of those books that is about how amazing books are and how amazing the people who write books are. Writers love writing books like this, and for some reason, we let them get away with it.
Get inside before I spank you in public." There it was again, another of his maddening threats. Did that mean he wouldn't spank her if she did as he said or that he simply planned to spank her in private? She was still mulling over the whole unpleasant concept when he started the truck.
You know what actors are like. You can sometimes be like, 'Darling, darling, we love each other,' but you don't really know them.
I write titles that are confrontational. I write titles that make people want to pick up a book and find out more about it. I write good books; I write great titles though.
Dearest darling, how I love you. Words cannot tell how much I love you. So forget it.
We have a situation where we have a lawmaker here in California who says that if you spank the child, you spank them, you're going to go to jail for a year or you're going to pay a $1,000 fine.
I've just always loved books, and I love the idea that we're all just really made of stories. I do also like the idea that anyone can love books. Books don't care how educated you are or what you do for a living.
The micro-compositions are the pieces themselves, but the macro-composition is the whole set of them and how it moves from track to track and how the titles relate to one another, for example. Always when I do records like this of a selection of instrumental pieces - the titles, to me, are very important.
I was this sort of floozy in 'The Rag Trade,' and 'Mr Digby Darling,' and 'Now, Take My Wife' - the titles say it all.
Electronic books are ideal for people who value the information contained in them, or who have vision problems, or who like to read on the subway, or who do not want other people to see how they are amusing themselves, or who have storage and clutter issues, but they are useless for people who are engaged in an intense, lifelong love affair with books. Books that we can touch; books that we can smell; books that we can depend on.
A lot of the lads have a bat for the nets, a bat for facing the bowling machine and a separate bat for the match. I'll just crack on with a bat until it breaks - then crack on with another one.
Nothing shows both polish and utility like the nattily tucked pocket handkerchief or 'pocket square' in the breast pocket of a man's blazer, sport coat, or suit jacket.
Well I grew up following most of the major titles like 'Fantastic Four,' 'Spider-Man,' 'Avengers,' etc. But I had also a lot of love for the smaller titles like 'Master of Kung Fu,' 'Black Panther,' 'The Defenders,' 'Inhumans,' and of course Power-Man and Iron Fist.'
O my darling books! A day will come when you will be laid out on the salesroom table, and others will buy and possess you-persons, perhaps, less worthy of you than your old master. Yet how dear to me are they all! Have I not chosen them one by one, gathered them all in with the sweat of my brow? I do love you all!
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