A Quote by Luis Alberto Urrea
The tone of 'Into the Beautiful North' is really the way I write. 'Hummingbird's Daughter' was the anomaly. It was a once-in-a-lifetime phenomenon.
Related Quotes
It became really important to me if I was going to write 'Hummingbird's Daughter' to try to do honor to women.
'The Hummingbird's Daughter' took 20 years to write.
By the way, did you fellows know that a hummingbird weighs as much as a quarter? Do you think a hummingbird also weighs the same as two dimes and a nickel? But then she asked a question of her own: How do they weigh a hummingbird?
When 'The Hummingbird's Daughter' came out, there was a certain backlash - 'Well, this isn't 'The Devil's Highway.'' That's just the way it goes.
I think The Undertaker is, much like Brock Lesnar, a once-in-a-lifetime wrestler, a once-in-a-lifetime athlete, and a once-in-a-lifetime performer.
Once in a lifetime a really beautiful song comes along ... Until it does, I'd like to do this one.
'The Producers' is a sort of a once in a lifetime kind of phenomenon, and I was grateful to be a part of it.
I arrived at my way of "working" as a way of visually approximating what I feel the tone of fiction to be in prose versus the tone one might use to write biography; I would never do a biographical story using the deliberately synthetic way of cartooning I use to write fiction. I try to use the rules of typography to govern the way that I "draw," which keeps me at a sensible distance from the story as well as being a visual analog to the way we remember and conceptualize the world.
I just see many, many untruthful things. I see tone, the word tone. The tone is such hatred. I'm really not a bad person, by the way.The tone is such - I do get good ratings, you have to admit that.
I'd written a lot of songs with hummingbirds in them. None of them ever came to anything, but I did write a few lines last month. It went like this: 'Listen to the hummingbird whose wings you cannot see. Listen to the hummingbird, don't listen to me'.
I created a tone for network television that they hadn't really been seen before. And I have to admit that was really more of an accident. I was just writing the way I write.
Tone is a very difficult thing. You can't write tone, I don't think. You can try - you certainly try. I write too, so I know I'm trying desperately to communicate to whoever's going to direct my pieces, the way I see the humor. But it's very difficult.
I had always wanted to name a daughter Hailey, after Halley's comet from Once in a Lifetime.
It's just the way I'm set up, being that once-in-a-generation, once-in-a-lifetime, once-in-an-era type of star.
Once Now You See Me proved that that tone could work, which I'm sure was a nightmare for them in post - is this too serious? Do we have to say that magic really does exist or not? - I can take that and have fun with the tone that they established.
As a child, I saw this beautiful film, Dracula's Daughter, and it was with Gloria Holden and was a sequel to the original Dracula. It was all about this beautiful daughter of Dracula who was an artist in London, and she felt drinking blood was a curse. It had beautiful, sensitive scenes in it, and that film mesmerized me. It established to me what vampires were?these elegant, tragic, sensitive people. I was really just going with that feeling when writing Interview With the Vampire. I didn't do a lot of research.
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