A Quote by Luis Alberto Urrea

I'm a theological writer mistaken for a political writer. My theme is grace versus karma. — © Luis Alberto Urrea
I'm a theological writer mistaken for a political writer. My theme is grace versus karma.
Every writer follows a theme, and mine is survival. If you can't figure out what a writer's theme is, look at the books you are attracted to.
Oh, I love labels, as long as they are numerous. I'm an American writer. I'm a Nigerian writer. I'm a Nigerian American writer. I'm an African writer. I'm a Yoruba writer. I'm an African American writer. I'm a writer who's been strongly influenced by European precedents. I'm a writer who feels very close to literary practice in India - which I go to quite often - and to writers over there.
I am of the opinion that I am not a political writer, and, moreover, that as far as true literature is concerned, there actually are no political writers. I think that my writing is no more political than ancient Greek theatre. I would have become the writer I am in any political regime.
I think writing is a very political act. I think that any writer who says it's not, is simply a writer who is disavowing the political connotations of what they write.
Any adjective you put before the noun 'writer' is going to be limiting in some way. Whether it's feminist writer, Jewish writer, Russian writer, or whatever.
Ross McDonald had a greater influence on me than any other writer. His style of writing, the repeated theme of the past coming out to grab somebody, that's very attractive to me as a reader and, now, as a writer.
I'm an African-American writer, I'm a lazy writer, I'm a writer who likes to watch The Wire, I'm a writer who likes to eat a lot of steak.
I'm an immigrant writer, or an African writer, or an Ethiopian-American writer, and occasionally an American writer according to the whims and needs of my interpreters.
One of the most useful parts of my education as a writer was the practice of reading a writer straight through - every book the writer published, in chronological order, to see how the writer changed over time, and to see how the writer's idea of his or her project changed over time, and to see all the writer tried and accomplished or failed to accomplish.
Oh, I love labels, as long as they are numerous. I'm an American writer. I'm a Nigerian writer. I'm a Nigerian American writer. I'm an African writer. I'm a Yoruba writer. I'm an African American writer.
I say "on principle" [regarding 'lesbian writer'] because whenever you get one of your minority labels applied, like "Irish Writer," "Canadian Writer," "Woman Writer," "Lesbian Writer" - any of those categories - you always slightly wince because you're afraid that people will think that means you're only going to write about Canada or Ireland, you know.
To say that a writer's hold on reality is tenuous is an understatement-it's like saying the Titanic had a rough crossing. Writer's build their own realities, move into them and occasionally send letters home. The only difference between a writer and a crazy person is that a writer gets paid for it.
If you are going to be a writer, you have to have self-belief, every writer gets rejections, they say the difference between a successful and unsuccessful writer is an unsuccessful writer gives up, if you keep going you will succeed.
Every true writer is like a bird; he repeats the same song, the same theme, all his life. For me, this theme as always been revolt.
A serious writer is not to be confounded with a solemn writer. A serious writer may be a hawk or a buzzard or even a popinjay, but a solemn writer is always a bloody owl.
I want to direct in Denmark. I married a writer; my best friend's a writer, so I always wanted to be a writer.
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