A Quote by Luis Alberto Urrea

A great Chicano forebear of mine in writing is Rolando Hinojosa-Smith. He was writing good border mysteries for Chicano readers back in the '80s and '90s. — © Luis Alberto Urrea
A great Chicano forebear of mine in writing is Rolando Hinojosa-Smith. He was writing good border mysteries for Chicano readers back in the '80s and '90s.
To me, you have to declare yourself a Chicano in order to be a Chicano. That makes a Chicano a Mexican-American with a defiant political attitude that centers on his or her right to self-definition. I'm a Chicano because I say I am.
In my writing, I want to address all communities, you know. I've spent many years talking about Chicano culture, Chicano history, and at the same time, I've also been in many communities and presented my work in many communities, in many classrooms, and that's where my vision is and my delight is and my heart is.
I was interested in a lot of subjects from very early on. And that's uniquely Chicano because every Chicano I knew always had three jobs.
Don't ever insult a Chicano about being a Chicano because then all the other Chicanos will be on you with a vengeance. They will even fight each to be first in line to support you.
You have to want to be Chicano to be Chicano.
Being a Chicano in Hollywood, my experience is that you're not given credit for any sophistication... You're just kind of some guy that just crossed the border, you know, on the back of a truck and that's it.
A writer will write with or without a movement; but at the same time, for Chicano, lesbian, gay and feminist writers-anybody writing against the grain of Anglo misogynist culture-political movements are what have allowed our writing to surface from the secret places in our notebooks into the public sphere.
By the time I discovered Chicano painters in the mid-'80s, I recognized that these guys were really world-class painters, but they weren't getting any attention, which was good in one sense in that I could get their work for cheaper!
The first five years of my career, I was Inmate #1, Bad Guy #1 and Mean Guy #1. I had a great career going, until somebody told me that I was typecast. I said, "Well, what's typecast?" And they said, "Well, you're always playing the mean Chicano dude with tattoos." I thought about that and I said, "Wait a minute! I am the mean Chicano dude with tattoos, so somebody is getting it right."
I'm always writing. A friend of mine once said, 'You avoid re-writing by writing.' Which is kind of a good point, because re-writing seems to be mostly about craft, and writing is just, like, getting out your passion on a piece of paper.
The '90s were a party, I mean definitely maybe not for the grunge movement, but people were partying harder in the '90s than they were in the '80s. The '90s was Ecstasy, the '80s was yuppies. There was that whole Ecstasy culture. People were having a pretty good time in the '90s.
The writing workshops and programs that are everywhere have encouraged writing. And if that produces more writing, it's also producing more readers of an elevated level. So all in all, a good thing.
There is a whole industry in America of people who want to write, and those who teach it. Even if the students don't end up writing, what's good about them taking the courses is, they become great readers, learning to appreciate the writing.
I've included these little jokes and mysteries in my writing for the amusement of readers.
I have been making hip-hop since I was a kid growing up in New York in the '80s and '90s. It's always been a hobby of mine - I've been making beats and writing songs for as long or longer than I've been acting.
Chavez Ravine is the dawn of Chicano consciousness.
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