A Quote by Luis Barragan

The Art of Seeing. It is essential to an architect to know how to see: I mean, to see in such a way that the vision is not overpowered by rational analysis. — © Luis Barragan
The Art of Seeing. It is essential to an architect to know how to see: I mean, to see in such a way that the vision is not overpowered by rational analysis.
It is essential to an architect to know how to see: I mean to see in such a way that the vision is not overpowered by rational analysis.
We are not born with effective vision. The human infant has to learn how to see. The eyes gather information, they transmit it to the brain, but the brain doesn't know how to process it yet. We learn how to see in a way that's very similar to the way we learn how to speak. It takes a couple of years.
You know how people always talk about how vision is the key to entrepreneurship and perseverance and really seeing what other people don't see? We can actually redeem a fair amount of that folk wisdom.
I like to see things. I see a lot more art than I'd like to see. We have to be polite and see the art shows of people we know. We see a lot of art.
If we see an object as a bowl, it may inhibit seeing it as craft, just as seeing it as craft might inhibit seeing it as art. See first; name later.
I mean, I am into nature and seeing whales. I went whale-watching, and I was really looking forward to that, but when you see it on TV and you see other programs do it, you're seeing close-ups of these massive creatures, and the music that's added gives you a certain feeling.
I tell you what it is. It's...when I didn't see you, I thought about you every day, I mean every day in some way or another -" "Same here -" "- even if it was just 'I wish Dexter could see this' or 'where's Dexter now?' or 'Christ, that Dexter, what an idiot', you know what I mean, and seeing you today, well, I thought I'd got you back - my best friend. And now all this, the wedding, the baby - I'm so happy for you, Dex. But it feels like I've lost you again.
It's just seeing - at least the photography I care about. You either see or you don't see. The rest is academic. Anyone can learn how to develop. It's how you organize what you see into a picture.
Our vision controls the way we think and, therefore, the way we act the vision we have of our jobs determines what we do and the opportunities we see or don't see.
Literally, FX is like, 'How can we foster your vision?' My vision is pretty much taking pictures of the way I see my life.
Each person may see a fight in different ways... They can see more to a primal way. Others they can see in a pure artistic way... For me I see the pure artistic way, the way that a true martial artist can show his art.
Poverty continues to exist. Its appearance seems to be relentless in evidencing itself not only to all the things we experience here in America, but certainly what we see globally. And I don't see anywhere any philosophical analysis that suggests we know how to get out of this.
I like the idea of seeing a film that has the artist's hand in there,a film where you can see his strokes, you can see his working patterns. It's like going to a museum and seeing a Renoir drawing. You want to see their work and you want to see how they put it together. For me to see that in animation is really fresh, it's really exciting, it's really original.
I don't have a favorite place to see art. I like to encounter it anywhere, museum, gallery, home, studio, street... I do prefer to see good art, when I see art, but it doesn't matter where I see it.
I didn't see many female politicians on TV. I didn't see women in history textbooks, so I did geography, and art and English literature. But I know I must have been affected by not seeing women represented.
Seeing a photograph of myself is often pretty jarring. Why is it that the vision I see of myself in a photo is so different than the one I see in a mirror - not to mention the "self" that I see in my mind's eye? Pondering it can pretty easily cast me into a vortex of self-doubt, wondering how the me that people experience - my voice, my personality, my creative expression - is regarded without my knowledge.
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