A Quote by Luis Barragan
I believe that architects should design gardens to be used, as much as the houses they build, to develop a sense of beauty and the taste and inclination toward the fine arts and other spiritual values.
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A large number of us have developed a feeling that architects tend to design houses for the approval of fellow architects and critics, not for the tenants.
Under the microscope, I found that snowflakes were miracles of beauty; and it seemed a shame that this beauty should not be seen and appreciated by others. Every crystal was a masterpiece of design and no one design was ever repeated., When a snowflake melted, that design was forever lost. Just that much beauty was gone, without leaving any record behind.
Architects design houses. I live in a home.
There is no reason to suppose that taste is in any way a lower sense than the other four; a fine palate is as much a gift as an eye that discerns beauty or an ear that appreciates and enjoys subtle harmonies of sound, and we are quite right to value the pleasures that all our senses give us and educate their perceptions.
It's no longer possible to simply build English country houses out of words, because they've already been so thoroughly described that all the applicable words have been used up, and one is forced to build them instead out of words recycled and scavenged from other descriptions of other country houses.
But then architects don't build their own houses.
But the eyes of other people are the eyes that ruin us. If all but myself were blind, I should want neither fine clothes, fine houses nor fine furniture.
All honour and reverence to the divine beauty of form! Let us cultivate it to the utmost in men, women and children -- in our gardens and in our houses. But let us love that other beauty too, which lies in no secret of proportion but in the secret of deep human sympathy.
Build houses and settle down; plant gardens and eat what they produce.
Salem houses present to you a serene and dignified front, gracious yet reserved, not thrusting forward their choicest treasures to the eyes of passing strangers; but behind the walls of the houses, enclosed from public view, lie cherished gardens, full of the beauty of life.
Faith in the continuance and enhancement of the intrinsic values--faith in truth, in beauty, in friendship, in love and harmony of life--in short, faith in reason and the worth of spiritual life--such faith is only another name for faith in the persistence of spiritual individuality. For, I repeat, these values are real only as functions of personal experience and deed. To have faith in the permanence of intrinsic values is to assume the enduring reality of selves who know truth, feel beauty, who love and win spiritual harmony.
Good taste ruins certain true spiritual values: such as taste itself.
That's the very definition of freedom: to be allowed to develop our own creative potential to the fullest. But it doesn't have to be in the arts, obviously. In my case, I gravitated toward the arts.
I have always believed and still believe that artists who live and work with spiritual values cannot and should not remain indifferent to the conflict in which the highest values of humanity and civilization are at stake.
But where only a free play of our presentational powers is to be sustained, as in the case of pleasure gardens, room decoration, all sorts of useful utensils, and so on, any regularity that has an air of constraint is [to be] avoided as much as possible. That is why the English taste in gardens, or the baroque taste in furniture, carries the imagination's freedom very far, even to the verge of the grotesque, because it is precisely this divorce from any constraint of a rule that the case is posited where taste can show its greatest perfection in designs made by the imagination.
Bad Gardens copy, good gardens create, great gardens transcend. What all great gardens have in common are their ability to pull the sensitive viewer out of him or herself and into the garden, so completely that the separate self-sense disappears entirely, and at least for a brief moment one is ushered into a nondual and timeless awareness. A great garden, in other words, is mystical no matter what its actual content.
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