A Quote by Luis Enrique

The trainer I learned most from about the field of play was Van Gaal, even though he's the one I've had the most confrontations with - well, disagreements. He's got an obsession with work ethic, the way he plans.
If you look at most youngsters, they have worked well under Van Gaal. I had never heard of Thomas Muller at Bayern Munich before Van Gaal managed him, and he's now one of the best players in the world.
Van Gaal is a teacher, pays attention to everything you do, but Hiddink is more linked to the players. He gives more freedom than Van Gaal, but I worked with both of them pretty well.
When you have Van Gaal in charge, it is a fact that there is fear in his team. The players have a fear for mister Van Gaal. That is not always good.
Louis van Gaal is one of the most successful managers in the world.
Van Gaal is the best coach I've had. We've got a very special relationship.
He said I couldn't do (off the field) what I did when I was 23 or 24, and I paid attention to him. Damn it, I got a trainer and went to spring training in the best shape of my career and in 1985 had the best season I ever had and we won the World Series. Before that, I didn't know how long I was going to play. That talk with Mr. Fogelman was the most inspiring talk I ever had with anyone.
Louis van Gaal is one of the most incredible coaches who's done a fantastic job in clubs all over Europe.
I think the person I learnt the most from as a coach was Cruyff because he was always talking about tactics - how to play, where to play and when to play. I think that helps a lot of young players, which is good. He was the most important trainer for me.
I wanted to play more games under Van Gaal and thought I could have played more but it's not the way it happened.
We brought him [Raffi Torres] in because he was an emotional, physical player. He's had nothing but a great attitude and a great work ethic with us all year long. He comes to play, prepares himself real well. We need him to play the way he does. You know, he's a little bit sometimes outside the box, but you've got to let him be who he is.
Even though I was painted, even though I had on seven layers of paint - to the point that I got a tan, it was as thick as a fabric - I think I felt the most naked because I couldn't cover myself at all. I didn't have to, so I had to be much more open and relaxed.
It was a great experience under Van Gaal. He gave you the confidence to go and play.
I had grown up. I had learned that being a woman was knowing when to stand firm and when to compromise. I had learned to laugh and weep; I had learned that I was weak as well as strong. I had learned to love. I was no longer a rigid, upright tree that would not flex and bow, even though the gale threatened to snap it in two; I was the willow that bends and shivers and sways, and yet remains strong.
Van Gaal was always very intensive with his tactics. You had to work more with your head than your legs.
I knew that I had to find out more about van Gogh. Even though I was far too young, and felt I did not have sufficient technique to write a book about Vincent van Gogh, I knew I had to try. If I didn't I would never write anything else.
No film is made without the people behind the lens. Of course, most people, even I, tend to look at films in the most simplistic way, and say, "Wow, so-and-so is in this film." We talk about who's in it, as opposed to who got it made. But there are financial and technical aspects which go along with it, that should be addressed and acknowledged, including those minorities who are doing excellent work as well.
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