A Quote by Luis Fonsi

Each album always has its own sound. — © Luis Fonsi
Each album always has its own sound.
I always loved bands who would try to change their sound radically album to album, experiment in one album and revert back in another.
You always want an album to sound like its own little planet.
'The White Album' is so cool because it was around the time when the Beatles started to not like each other, so they would each go off and do their own thing. It's all over the place, but that's what makes the album so brilliant.
I don't really marinate in anybody's album because I don't really want to sound like anybody else when I put my album out. So I'd rather not even be tempted to listen to a bunch of other stuff with any degree of emersion in it, cause I just don't want to sound like anything else, so I kinda focus on my own music.
I always wanted to make an album, but I knew that I didn't want it to be a musical theater album. It's not that I don't love them - I own every musical theater album ever made - but it just didn't seem right for me.
One thing that has really influenced me with Bowie where I've taken an approach from him is how he changes from album to album and has always modified his sound and his appearance. I think that's an important thing.
We have always tried to treat every album differently and even from day one I think that each Asia album has been approached with care and thought and hopefully that shines through twenty years later.
[David] Bowie had a genius for continual change himself, reinventing his sound and his image throughout the decades. Each album seemed to find Bowie in a different persona, with a new sound to match his new look.
There's no point that an album should sound like a watered down version of another album.
Some people will never let the grime thing go, but my fifth album is not meant to sound like my first album.
Albums tend to dictate what they need. Every time I have made an album it sort of feels like it is decided for me how that album is going to sound; it is not really a cerebral decision where you sit down and decide that you are going to make an album that sounds like 'this.'
Ramones or AC/DC are two bands that have managed to keep their signature sound and their signature formula for years and years and album after album after album, without it seeming like a dead-end street.
I think when you get past your second album, it all becomes something of a routine. So you have to struggle against that, find a way of making what you do sound fresh and new each time.
Each celestial body, in fact each and every atom, produces a particular sound on account of its movement, its rhythm or vibration. All these sounds and vibrations form a universal harmony in which each element, while having it’s own function and character, contributes to the whole.
Hopefully each film can be given a musical voice of its own, which is not to say that the instrumentation is always unique, but that the relationship between the sound and the image is unique.
The future of Slipknot is always in doubt. I always prepare for each album as if it's gonna be the last.
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