A Quote by Luis Gonzalez
I think my relationship with life has changed - I want to make more complex images than before. Complex in the sense that I try to put in a lot of information, sometimes contradictory information.
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Practice design, Not Decoration: Don't just make pretty talking points. Instead, display information in a way that makes complex information clear.
Memorizing information is valuable but only if you're able to make some sense of the information and put it into a useful context. Isn't it much better if we can attach something tangible to that information?
I also think the relationship I have with my audience is a lot more complex than what Hitchcock seemed to want his to be - although I think he had more going on under the surface as well.
Normally if you add information to information, you have more information. In case of my art, I destroy information, I would say, because the image is disturbed by the writings. In a way, they become pure imagery. For me it's really fun because it's an idealistic approach to images, to just play around with information and see what's happening.
I think what has allowed me to be successful is that I can absorb more information than most and drill down to the key business elements of that information and make faster decisions. And of course, I truly try to enjoy every minute of my life. I can never understand why anyone wouldn't.
A lot of the time, unfortunately for women, there's not a lot of complex roles. I don't mean complex like tortured or whatever. I mean complex like there's more going on with them than, 'I'm a mom.'
Sometimes I make my life a living hell by writing complex stories with complex characters. But I love it.
I think Roald Dahl had the rarest combination of talking to kids about complex emotions, and he was able to show you that the world of kids was sophisticated, complex, and had a lot more darkness than adults ever want to remember.
I think it is an anarchistic idea to have information on the front and the back. Normally if you add information to information, you have more information.
If you think of dramaturgy in North America, which is so realistic and so literal sometimes, sometimes what theaters - especially dramaturgs - ask for is more information, which sometimes can really weigh down a play. There's only so much information a play can have. If you start putting in so much information, it becomes something completely different, it doesn't sing.
I didn't have a perfect model, but I wanted to try to blend my own personal reflections and experiences with this broader canvas to see how a lot of the narratives we have about economy and foreign policy got stuck. Because we have these categories of liberal, conservative, free marketer, open government - all these stereotypes about our politics and the categories we try to put things in are inadequate to this sort of complex, ambiguous, sometimes contradictory experience we have as ordinary people and that I have as an elected official.
Kafka was a complex character in a complex historical era. In order to understand him, you have to do more than cite facts. It is necessary to connect the facts in a meaningful way. His relationship to Judaism, to his father, to women, to literature - all of this is interconnected; and there are decisive moments in his life, in which such interactions suddenly become visible and can be experienced in an almost sensuous manner. It is these moments above all that I try to narrate dramatically.
There's a lot of health information available on your smart phone. There's financial information. There's your conversations, there's business secrets. There's an enormous long list of things that there's probably more information about you on here than exists in your home, right. Which makes it a lot more valuable to all the bad guys out there.
[G]enes make enzymes, and enzymes control the rates of chemical processes. Genes do not make "novelty seeking" or any other complex and overt behavior. Predisposition via a long chain of complex chemical reactions, mediated through a more complex series of life's circumstances, does not equal identification or even causation.
I don't think we should have less information in the world. The information age has yielded great advances in medicine, agriculture, transportation and many other fields. But the problem is twofold. One, we are assaulted with more information than any one of us can handle. Two, beyond the overload, too much information often leads to bad decisions.
We use the word typography to describe two different things: the design of letterforms, and the layout of typeset passages on a page. Both of those experiences are really important to communicating information, especially when that information involves complex ideas.
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