A Quote by Luis Suarez
At first I didn't think I was going to fit into Barcelona's way of playing. There was a lot of tiki-taka and I was thinking that without a lot of space to play in, I'd find it more difficult. I worried about that.
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You could say heading is a dying art in football because a lot of games are now played tiki-taka on the grass.
There are a lot of teams that don't want to play, that only want to defend against Barcelona, and that makes it difficult. We're always looking for the open space. A lot of times we'll face six defenders and four midfielders.
And physically and mentally, there were times when Newcastle first sent me out on loan, where I felt I was getting bullied. I was used to Under-23s football, tiki-taka, but in the lower leagues, it's about results and putting yourself about.
Scholes was playing tiki-taka football when nobody in England knew what it was. He was another of those players, like Denis Law or Bobby Moore, who at 15 probably looked as if he wouldn't make it.
I feel that when I began writing, I had a need to know more about the play before I got into it. I think that's the way I was thinking. But my actual experience is that the best way to find out what the structure is, is by writing the play out laterally. You just have got to be brave enough to start without knowing where you are going.
One of the first roles I had on stage was with a brilliant director in a brilliant play with a brilliant cast, but I just couldn't find my way into the heart of the character. I found myself straining a lot. When it started. I felt lost. That was the Eugène Ionesco play Rhinoceros. I don't think I was prepared for that. I don't think I had the full tool kit to do it justice. It's a very difficult play, it's an extraordinarily difficult part, and I never felt I really got it right. Far from it. To a degree, Hamlet was the same.
I think it all comes back to the individual. My instrument's just a pile of metal and wood! If you listen to the way I speak I have a lot of rhythm, use a lot of accents. When I'm playing my instrument that concept comes through very clearly. In fact some people who've seen me play have noticed that I'm singing - but it's more that I'm actually speaking. So it's not really about the instrument. But for me, in my thinking, the music is all about the melody. When I compose, 99 percent of the time I start with the melody.
I think I'm the first 1990-born guy to win a Masters 1000, so it's quite special to be the first one in a very strong group of guys. There are a lot of guys playing great, and hopefully there are going to be a lot more coming.
A quarterback that goes out and performs for you and is a franchise quarterback is more valuable than a player playing another position, but there's a lot more risk there. It's a more difficult position to play, and there are lot more failures.
I think playing a negative character is more difficult and challenging, since you have a lot to work on, and you have to put a lot of efforts.
Barcelona focus a lot on what Barcelona does and not on what others are going to do. It creates a different way of working. Of course we studied our opponents to see their weak points and their strong points, but 70 per cent of the time, it was about us.
If the NBA is worried about the NBA, if the NCAA is worried about the NCAA, if each individual institution is just worried about themselves, and the last thing we think about is these kids, then we're going to make wrong decisions. There are a lot of players of different levels, of different abilities. Let's be fair with them.
A lot of the people I was writing with think a lot more about lyrics and a lot more about the details from the beginning. That kind of thinking made me a little self-conscious because I was suddenly having to judge what I was doing early on in the process.
I did play a lot of fingerstyle when I first started playing. I could never really find the right combination of flatpick or fingerpick, so playing fingerstyle is really the easiest way - though it's quite strenuous on the fingertips.
...I think of improvising as composing - fo me it's all about playing melodies. When I improvise, there's not a lot of real thinking going on, per se - it's more like riding a wave. and I know how to stand on the board
I tend to write about love because I'm always thinking about it. I think a lot though and struggle with overanalyzing. Way over. That's the thing, I feel like I do that a lot and then finally when I stop thinking, that's when it happens.
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