A Quote by Luis von Ahn

When I found out that I had won the MacArthur Fellowship, I had been a professor at Carnegie Mellon for a week. I probably shouldn't be saying this on TV, but I stopped worrying about tenure.
Even as a college professor at Carnegie Mellon and Stanford, I saw myself as an entrepreneur, and I went out, took risks, and tried to invent new things, such as participating in the DARPA Grand Challenge and working on self-driving cars.
When I came home, I was no longer the pariah who had dropped out of law school. I had been on TV. And everybody wanted to know, not only what being on TV was like, but what I thought about world events. Suddenly, there was some value to what I was saying. That's bizarre.
I was so happy when I found out I had been drafted by the Yankees. Growing up in Taiwan, I had heard so much about the Yankees but had never even seen them on TV.
My father was a university professor and his thing was tenure. Any time I hear a university professor say tenure, I hear the word dinosaur. You're not supposed to be getting tenure. You're supposed to be figuring out how you can teach more students at a better price and more effectively. That's your job.
I went to college in Pittsburgh at Carnegie Mellon University... studied acting there. Then I went to New York for about five years. I moved out here about 10 years ago.
The 'snakebot', which is a type of mechanized, biologically inspired robot, itself has roots in Japanese laboratories of the 1970s. What the team at Pittsburgh-based Carnegie Mellon is doing today under professor Howie Choset is making the 'snakebots' stronger, smaller, and more maneuverable than ever.
My dad had the greatest admiration for MacArthur when they were working together in Washington before the Philippines. And Dad used to talk with absolute awe about MacArthur's brain.
When I finally stopped [singing], he had been saying, like, the last day or so, he'd been saying, now, I think we should put this one in the album. So without him saying I want to record you and release an album, he kept - he started saying, let's put this one in the album. So the album, this big question, you know, began to take form, take shape. And Rick [Rubin] and I would weed out the songs.
I was an adjunct. I never got tenure, never had it. I was a professor, though. But I never got tenure. I never really wanted tenure, to tell you the truth. Really wasn't - the guys who got - the tenured people were some of, like, the least interesting. And they were people I didn't really like very much anyway.
I went to Carnegie Mellon.
What we did [shooting "Fences"] was we got young students from Carnegie Mellon, the acting and theater students, and we had them as our understudies. I told them, "You have to be off book and be ready. If Viola [Davis] has to leave you have to jump in."
I went to the Carnegie Mellon School of Drama.
When I was doing Professor Albert Einstein's bust he had many a jibe at the Nazi professors, one hundred of whom had condemned his theory of relativity in a book. 'Were I wrong,' he said, 'one professor would have been enough.
Matt Bomer and I went to Carnegie Mellon for drama together.
When I was in college at Carnegie Mellon, I wanted to be a chemist. So I became one. I worked in a laboratory and went to graduate school at the University of Pittsburgh. Then I taught science at a private girls' school. I had three children and waited until all three were in school before I started writing.
Note to academics: Aristarchus' track record of astronomical research would probably have guaranteed him tenure somewhere, if tenure had been invented. His stack of reprints included measuring the distances of the Moon and Sun.
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