A Quote by Luka Sulic

Many classical musicians lack pulse and rhythmical strength and precision, so for us it was very important to acquire and learn those. — © Luka Sulic
Many classical musicians lack pulse and rhythmical strength and precision, so for us it was very important to acquire and learn those.
Artists, whether they're classical musicians or pop musicians, they have always been the reflection of society, and in many ways a healing part of whatever is wrong in society, and I think it's important for us to continue to do that, and I don't see enough of it today.
Musicians like to converse. There's always interesting conversation with musicians - with classical musicians, with jazz musicians, musicians in general.
As a disciple of my father's, I was certain I wanted to include one of his own raga creations on 'Home', as they are so beautiful; whilst many of his creations are part of the general classical repertoire for all musicians, many more are only played by those of us who learned from him, and therefore need to be played.
Personally, I think young musicians need to learn to play more than one style. Jazz can only enhance the classical side, and classical can only enhance the jazz. I started out playing classical, because you have to have that as a foundation.
I think the other thing that's important is getting to a place, which very, very rarely happens with improvising groups, where somebody can decide not to play for a while. You watch any group of musicians improvising together and they nearly all play nearly all the time. In fact I often say that the biggest difference between classical music and everything else is that classical musicians sometimes shut up because they're told to, because the score tells them to. Whereas any music that's sort of based on folk or jazz, everybody plays all the time.
The deeper we look, the more we shall be convinced that the one thing wanting, which we must strive to acquire before all others, is strength strength physical, strength mental, strength moral, but above all strength spiritual which is the one inexhaustible and imperishable source of all the others. If we have strength everything else will be added to us easily and naturally.
We are born male. We must learn to be men. Remember, strength is a force. It is an attribute of the heart. Its opposite is not weakness and fear, but confusion, lack of clarity, and lack of sound intention. If you are able to discern the path with heart and follow it even when at the moment it seems wrong, then and only then are you strong. Remember the words of Tao te ching. "The only true strength is a strength that people do not fear." Strength based in force is a strength people fear. Strength based in love is a strength people crave.
My brother had a house in Paris. To it came many Western classical musicians. These musicians all made the same point: 'Indian music,' they said, 'is beautiful when we hear it with the dancers. On its own, it is repetitious and monotonous.'
And what classical music does best and must always do more, is to show this kind of transformation of moods, to show a very wide psychological voyage. And I think that's something that we as classical musicians have underestimated.
Kolkata is a musical city. What I like about people here is the lack of diplomacy. Some of the best Indian classical musicians belong to this place. Kolkatans do not go by fashion, but by passion.
The wish to acquire more is admittedly a very natural and common thing; and when men succeed in this they are always praised rather than condemned. But when they lack the ability to do so and yet want to acquire more at all costs, they deserve condemnation for their mistakes.
The samurais were very interested in Zen because they admired the tremendous precision that the Zen Masters had, their lack of fear and pain and their absolute lack of fear of death.
We always have a basic structure for a piece of music, but we encourage the musicians to elaborate on whatever they feel at that particular moment. There's a definite conversation happening on stage. I think it is very important for us as creative musicians, to instantaneously describe any energy that is visible at that time.
Being from a classical environment, I've always been provoked by classical musicians thinking that classical music is so much greater art than pop. I've always been annoyed by that.
There's just not a lot of inventory, and to find a shortstop or a catcher, or a centerfielder, that you think that could stay at those positions... they're very hard to acquire. Sometimes you have to overpay for them, because of that lack of inventory.
Indian classical music is charming and currently there are a wide range of musicians who bring great classical tunes to the Bollywood industry.
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