A Quote by Lukas Forchhammer

I never want to lose sight of my roots... A lot of artists want the riches and the fame. I want to tell stories you can put into the context of your life. — © Lukas Forchhammer
I never want to lose sight of my roots... A lot of artists want the riches and the fame. I want to tell stories you can put into the context of your life.
The thing about fame is, you want it your whole life, but no matter how bright you are, no one ever asks themselves why they want fame. You never really know what it is until you have it. You can never tangibly feel your own fame.
I want to photograph what I see and put it in a dramatic context. I'm an actor and a writer, and I want to tell these stories and present these shapes, colors and movements as I see them, as I see them serve a narrative. As I see that narrative serve an audience. That's what I want to do.
I am poor and naked, but I am the chief of the nation. We do not want riches but we do want to train our children right. Riches would do us no good. We could not take them with us to the other world. We do not want riches. We want peace and love.
I want to have a lengthy career. I want to play interesting characters. I want to tell beautiful stories, complex stories, deep stories.
It's such a paradox. You come from this place where you want fame; you don't want to be bourgeois, but you want to be successful. You want to be accepted, but you also want to be going against the grain. You want to be on the outside, but you want to be on the inside.
Its such a paradox. You come from this place where you want fame; you dont want to be bourgeois, but you want to be successful. You want to be accepted, but you also want to be going against the grain. You want to be on the outside, but you want to be on the inside.
I want to tell beautiful stories. I know I want to tell stories that appeal to a large audience. I want to make movies that appeal to mass culture.
People want fame and I would never tell a person to not want that, because it's f--ing awesome. Actually.
Waiting is a state of mind. Basically, it means that you want the future; you don't want the present. You don't want what you've got, and you want what you haven't got. With every kind of waiting, you unconsciously create inner conflict between your here and now, where you don't want to be, and the projected future, where you want to be. This greatly reduces the quality of your life by making you lose the present.
I really want to do film, but I want to do the right film. The truth for me is that I'm really driven by stories. So there are stories I want to tell, and if it's a good story then I want to do it, whatever genre it is.
You can tell on-stage when a joke's starting to lose its pop. It doesn't mean people don't want to hear it anymore; it means I don't want to do it anymore. Because I want to move on to something that has a knee-jerk reaction just like you get when you tell somebody a joke that they've never heard.
There's a lot of exhibitionists who want to tell their stories anonymously and there's a whole lot of voyeurs who want to feel like a fly on the wall and hear about people's lives.
Otherwise, to be a movie star, it's a lot of compromise and also a lot of headaches. You can't do what you want. You become a prisoner of your fame. This happened to me in France and I don't want it.
I don't want to just mess with your head. I want to mess with your life.... I want you to miss appointments, burn dinner, skip your homework. I want you to tell your wife to take that moonlight stroll on the beach at Waikiki with the resort tennis pro while you read a few more chapters.
When you're young - when I was young - you want your emotions to be like the ones you read about in books. You want them to overturn your life, create and define a new reality. Later, I think, you want them to do something milder, something more practical: you want them to support your life as it is and has become. You want them to tell you that things are OK. And is there anything wrong with that?
Most of what I want to try to do is continue to go places with fiction that I've never gone before, and tell stories I've never told before, and one of the problems you rapidly discover about fans is what fans want is the last thing they liked. They want more of that.
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