A Quote by Lukas Forchhammer
Our art, in a sense, is quite revolutionary.
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Revolutionary politics, revolutionary art, and oh, the revolutionary mind, is the dullest thing on earth. When we open a revolutionary review, or read a revolutionary speech, we yawn our heads off. It is true, there is nothing else. Everything is correctly, monotonously, dishearteningly revolutionary. What a stupid word! What a stale fuss!
Whoever sides with the revolutionary people is a revolutionary. Whoever sides with imperialism, feudalism and bureaucrat-capitalism is a counter-revolutionary. Whomever sides with the revolutionary people in words only but acts otherwise is a revolutionary in speech. Whoever sides with the revolutionary people in deed as well as in word is a revolutionary in the full sense.
Revolutionary politics, revolutionary art, and oh, the revolutionary mind, is the dullest thing on earth... What a stupid word! What a stale fuss!
Revolutionary art anticipates visionary physics. When the vision of the revolutionary artist, rooted in the Dionysian right hemisphere, combines with precognition, art will prophesy the future conception of reality.
In '68 I was 13 years old, so I was a child, but I felt a lot of excitement in listening to things, looking at the pop art coming over from America. My father was an art collector, and he was coming home with these strange pieces of art that weren't exposed in museums. At the time, it was quite revolutionary, very adventurous.
Our time and attention is scarce. Art is not that important to us, no matter what we might like to believe... Our love of art is often quite temporary, dependent upon our moods, and our love of art is subservient to our demand for a positive self image. How we look at art should account for those imperfections and work around them. Keep in mind that books, like art museums, are not always geared to the desires of the reader. Maybe we think we are supposed to like tough books, but are we? Who says? Many writers (and art museums) produce for quite a small subsample of the... public.
Our love of art is often quite temporary, dependent upon our moods, and our love of art is subservient to our demand for a positive self-image. How we look at art should account for those imperfections and work around them.
There is in fact no such thing as art for art's sake, art that stands above classes, art that is detached from or independent of politics. Proletarian literature and art are part of the whole proletarian revolutionary cause.
Music, art, writing - it gives us a sense of who we are, a sense of our history, a sense of our future and it should provide some kind of comfort. It's not just entertainment for entertainment's sake, it's an investment.
PROMOTE A REVOLUTIONARY FLOOD AND TIDE IN ART. Promote living art, anti-art, promote NON ART REALITY to be fully grasped by all peoples, not only critics, dilettantes and professionals.
Warfare is a means and not an end. Warfare is a tool of revolutionaries. The important thing is the revolution. The important thing is the revolutionary cause, revolutionary ideas, revolutionary objectives, revolutionary sentiments, revolutionary virtues!
I think art comes from some sense of discomfort with the world, some sense of not quite fitting with it.
We become pitiable and ridiculous when we imbibe an unreasoned mysticism in our life without any natural or substantial basis. People like us, who are proud to be revolutionary in every sense, should always be prepared to bear all the difficulties, anxieties, pain and suffering which we invite upon ourselves by the struggles initiated by us and for which we call ourselves revolutionary.
We should realize in a vivid and revolutionary sense that we are not in our bodies but our bodies are in us.
I was never revolutionary. The only revolutionary in our time was Strauss!
When we sink, we become a revolutionary proletariat, the subordinate officers of all revolutionary parties; at the same time, when we rise, there rises also our terrible power of the purse.
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