A Quote by Luke Bryan

When you get performance slots for award shows - that's a big deal for me. — © Luke Bryan
When you get performance slots for award shows - that's a big deal for me.
An award, to me, means a bonus. It's not that an actor works for an award. I don't work for an award. But, when you get an award, it is encouraging and inspiring and reminds you that you need to do well.
Actually, nobody has ever given me an award, and also, it's not really important in my life. I go to these award shows for meeting my friends.
I go for a couple of parties; you won't find me at every film party and never at award ceremonies. I tried attending for the first three to four years, and I've performed at award shows. I sat in them, and I've also exited pretty fast from them. It's just not my place. I'd rather get their adulation in a cinema hall.
Any slots at the senior level, including CEO or other slots, will be filled internally.
When we deal in generalities, we shall never succeed. When we deal in specifics, we shall rarely have a failure. When performance is measured, performance improves. When performance is measured and reported, the rate of performance accelerates.
I found so much fun in the light shows and the multimedia shows of the hippies. That was when I was a student in the 1960s, and I was in New York, so I learned how to deal with writing, recording sound of other people, performance art - because that was a new territory, and I liked everything that was new and provocative. That interested me more than becoming anything specific.
It was pop culture, entertainment, Hollywood, award shows - these are the things that really captivated me as a kid. I would watch the Oscars and every award show with my parents. I would make lists of who was going to win.
I think, in general, this country makes a huge deal about nudity and not a big enough deal about violence. We're allowed to cut people's heads off on shows - but not allowed to show breasts or somebody breastfeeding or whatever. I think it's a big deal in America especially. But I think to each is own.
Award shows come with a price tag. You have to lobby and I don't have the acumen for such stuff. Maybe that's the reason I hardly have any award.
A director really doesn't deal with performance that much, especially if you deal with great actors. Their work is the performance. What you're helping them with is all the stuff they cannot be in control of.
There were radio shows where you actually got to hear people play off of each other and get that immediate magic that goes on. And rather than doing what a lot of shows do, where an individual comes in, reads their part, and you edit it together later on and try to build a performance, we're lucky because this is really very much a theatrical performance that is going on, every single week.
To me, the Peabody was as big if not bigger than any award, but I do understand an Emmy Award-winning show has a different buzz when it comes to start talking about renewals and things like that. There's a professional something to it that matters.
For AXE to take a chance on me and to help me, you know, collaborating with them was just a really, really big deal for me. It shows that they bought into me and vice versa so it's a good relationship.
There may be a perception that, with franchises, they're all the same, so that limits the ability to experiment. But that's not true. We've always kept two slots open on the menu of each Subway franchise - slots that franchisees can use to come up with their own sandwich ideas.
It's not a big deal for me to be leader of the Green Party. It is a big deal for me to represent the voters of Saanich-Gulf Islands.
I believe that Brexit, whether it's a bad deal or no deal, is a big deal - too big for anyone to ignore - but it's not a done deal.
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