A Quote by Luke Bryan

You know, if Kelly Clarkson wants to do country albums because that's what inspires her, then let her do it. Look at Kanye West or Ludacris... they aren't rappin' and cussin' like they were on their first few albums, so what does that make them? It's all in the eye of the beholder and the listener. We all use our outlet to grow ourself.
You know, if Kelly Clarkson wants to do country albums because that’s what inspires her, then let her do it. Look at Kanye West or Ludacris ... they aren’t rappin’ and cussin’ like they were on their first few albums, so what does that make them? It’s all in the eye of the beholder and the listener. We all use our outlet to grow ourself.
I find the fact that so few people buy albums to be strangely emancipating. There's absolutely no reason for 99% of musicians making albums to think about actually selling albums. So as a musician you can just make an album for the love of making albums.
Amy Winehouse was not a person I ever met, and I can't say that I am overly conversant in all of her music. I do have her albums, and years ago, when I first heard her sing, I thought she was extraordinary. The tone of her voice, her phrasing, her raw appearance - these qualities were extremely captivating to me.
My wife and I were actually driving in the south of France when we got the word that Kelly Clarkson had come out that 'The Plant Paradox' had changed her life. I'm a big fan of hers. I like her music and I would love to work with her.
With The Pogues, at least the first three albums I'll stand by completely, yeah? Because I was in artistic control then, yeah? And the last couple of albums I'll stand by anything that's got my name on it, yeah? But I'll stand by anything that is on The Popes' albums, you know? I wouldn't put stuff out that I didn't like. I don't put out bad music. And I can tell the difference. I know that.
Taylor is a musician who does things under her own name and tells her own stories-her songs and her albums are her.
So like what I want to do is connect all of my albums and make it tell a bigger kind of story. So the first album is very focused on her family life and her love life.
First of all, I've been having a wonderful run of luck with cover albums, songs I didn't write. I had five pop cover albums and two Christmas albums, and they were all very successful.
The albums I did around that time probably wouldn't have been the same without Ecstacy. The first three Soft Cell albums... were all really albums that were just done around Ecstacy and the whole E feeling.
I have a love/hate relationship with Amy Grant, but I do go back to her Christmas albums once in a while. They're dated and sentimental and the production is nearly unlistenable, but there's something about her vocal performance that just feels really true. I would take her Christmas albums over Mariah Carey's or Destiny's Child's any day.
When I listen to a band like Pink Floyd, I don't know the names of the individual songs, I know the full albums. That's what we want for our albums.
There are albums that I like because of specific songs, but then there are albums that I like as a complete body of work. 'Ghetto Fabolous' is an album I lived with daily.
My iPod holds 3,000 albums. I own, like, 90 albums. My iPod sits at home, sullen, frustrated, and underused, like a wife who gave up her career and the kids turned out to be shite.
'Vol. 3' is the most pleasing of our albums to me. And I want to keep making albums that are different from each other. And you can bet all our albums will have that twist that only Slipknot can do.
There are parts in albums where I wrote a lot of the lyrics. There are parts on albums where Steve wrote a lot of the lyrics, even albums where Steve did the majority of the lyric writing. Then there were albums like 'Coming Home' where I did most of the chorus lyric writing. But it was always split.
What I love about making albums in the 21st century is that so few people buy albums! I can make an album without any commercial concerns whatsoever.
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