A Quote by Luke Campbell

Fortuna is tricky, he's a southpaw like me. But you've got to adapt to whatever is in front of you. — © Luke Campbell
Fortuna is tricky, he's a southpaw like me. But you've got to adapt to whatever is in front of you.
You can put me in front of any kit, and it is a fun thing to have to adapt. It inspires me to try different things. I like that.
I didn't really like the taste of booze. I liked the effect it did on me. But I can't say I savored a glass full of Chablis Chablis 1932. I drank whatever s - - was in front of me and got me buzzed.
I can explode from both stances as a fighter. I can get up into my southpaw, give one good jab, sprawl, then get up into my orthodox, sprawl, go into southpaw and jab.
Whatever I am, I'm not as bad as the person that read the novel before watching the film. I'll enjoy whatever they [producers] are putting in front of me. If they made an attempt to get things right, then I'll criticize them for what they got wrong. If they made no attempt to get things right, and yet they stumble on something that's right, I'll comment on what they got right.
I adapt to directors, I don't like making directors adapt to me. If I'm with Clint Eastwood then I'll do two takes, if I'm with Fincher I'll do 50 - though the thought of that sounds horrible.
The successful human being is adaptable. We have to adapt to changes in weather. We have to adapt to changes in climate. We have to adapt to changing economic circumstances. People that don't have the flexibility to adapt or who are afraid of change or who oppose it are going to be left behind.
I don't look at myself as a hero I look at myself as just another person who's on the path. I have got a light in front of me shining and I have got other people in front of me with their light shinning for me, I have got people behind me with their light shinning for me.
I have an orthodox style that a southpaw is confused with me.
I like being out on the cricket field and performing and playing in front of a crowd. I find it quite tricky when there are press photographers outside my house. It's all very bizarre.
But you really - I always think that a director has got to adapt to whatever the needs of the actor are. You know, so if you take someone like Eddie Murphy, who is not a big fan of rehearsal. You know he comes out of stand-up. He comes - it's all about capturing the moment - in the moment, you know.
Whatever happens, I'm going to adapt to it. I always been like that all my life.
What do I like about math? , When I've got figures in front of me, it relaxes me. Kind of like, everything fits where it belongs.
For me to put a look together, if it's going to be a boy look or a girl look or whatever, is quite a tricky thing to do. I'm not doing drag because drag is seen in a certain way and my comedy has got zero to do with what I'm wearing. I could wear an elephant suit and say the same thing.
You can tell by looking at me that I've got more miles behind me than I've got in front of me. When you reach that point, if you've got some good years left, you want to make sure that you use them wisely.
You can tell by looking at me that I've got more miles behind me than I've got in front of me. When you reach that point, if you've got some good years left, you want to make sure that you use them wisely
'The W' was real dark to me. Out of all the Wu-Tang albums, I like the first one and the second one. When 'The W' came into play, and the other ones, I felt they were just thrown together fast. Everyone got their money, and it was just like, 'Whatever, whatever, whatever.' 'The W' was a real dark album.
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