A Quote by Luke Combs
I don't want to put myself in any kind of a box as far as my sound goes, because being an artist is fluid. If you look at a painter's work, a lot of times, it's similar in style, but other times - over even a year's period - it can change so much. I'm just going with the flow.
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A lot of times, my work is looked at very much on the surface. It's very easy to just want to put something in a box - to say, 'Oh, since this work deals with surface desires at times, this is about consumerism.' And of course, the base of the work is... not about economics at all.
I think that if you run a big company, you've got to, four or five times a year, just say, 'Hey team, look, here's where we're going.' If you do it 10 times, nobody wants to work for you. If you do it zero times, you have anarchy.
Hip-hop and electronic music are so similar, in the fact that they're both very visceral, have so much bass; a lot of times, it's the same tempos. The culture and some of the sound design is different but a lot of times, it's the same stuff.
Broadly speaking, Keynesianism means that the government has a specific responsibility for the behavior of the economy, that it doesn't work on its own autonomous course, but the government, when there's a recession, compensates by employment, by expansion of purchasing power, and in boom times corrects by being a restraining force. But it controls the great flow of demand into the economy, what since Keynesian times has been the flow of aggregate demand. That was the basic idea of Keynes so far as one can put it in a couple of sentences.
I want to tell everybody that you won't hear me trying to pop bottles in the club and all that kind of stuff. It's just not me and I think as long as you stay within your element and your age bracket, sure you're going a couple of young folks and teens, but that's not who I'm focused on. I'm really not. I love whoever supports, but I'm just not going to try and go back there because times have changed. If you don't move with the times, you'll get left off. I'm trying to change with the times.
There were a lot of times that I'd rather be hanging out with friends, or out at a show, but instead I stay home and work on music. It's important to me that I make a lot of work and have a lot of variety and change for myself, because of the kind of personality I have. I have to bring my best self and my best work to the table.
I feel like, a lot of times, when you have a specific sound that you want and are searching for, you want the right group to help you put the kind of music out that you want.
I think that, right now, I am travelling in many different directions in my mind, on where I wanted to be. So much is wantin' to go back, but I still gotta move forward. But I think it's just that I'm my worst critic at all times, you know? And when I make somethin', it may be five or ten cuts later before I actually call it what it is. I've always been that kind of artist. I'm gonna put myself through the sweat for it, because I think, as an artist, that's what made me iller, is the fact that I didn't wanna just put out anything and everything. It's just a process, you know what I mean?
The integrity of being an artist for Frank Stella means going into the unknown.A great artist is somebody who's not scared to reinvent themselves and to start all over again. And some artists do it once, twice, three times in their career. He's done it probably a dozen times or more.
The blueprint, for me, was having an understanding of self because this business will try to make you somebody other than yourself or make you change with the times. A lot of times, people will want you to do everything for free, work for free, to be down to do this after you paid your dues.
I think it's just easier for people to put you in a box or a lane because you look similar. I think that's unfair for anybody in any situation.
I was a weed. Such a skinny little weed. I just couldn't put on weight; I couldn't put on muscle. I was the oddest shape. And I thought that was it: that's how I'd look for the rest of my life. And I'd beat myself up about it so much. But you change an awful lot. You're 16. Your body's not even halfway to what it'll end up being.
As a jealous man, I suffer four times over: because I am jealous, because I blame myself for being so, because I fear that my jealousy will wound the other, because I allow myself to be subject to a banality: I suffer from being excluded, from being aggressive, from being crazy, and from being common.
There is always a bit of pressure to do a good album - to do good work, period. I really put a lot of pressure on myself, more so than other people. But I try not to let that overwhelm me to the point where I can't even do good work. I just put it aside and do the best that I know that I can.
I'm not trying to say I accomplished nothing, I'm just trying to say that at this point in my life, I don't want to look at what I've accomplished and hold it like it's my trophy. I've got so much more to do; I don't want to put that gold medal around my neck yet. When I accomplish ten times what I've accomplished already, I'll start thinking about that. But a better way to put it is I kind of forget about it. I do it and I forget about it. And I just work.
As athletes, we train and travel so much, a lot of times our needs are not met calorically. But I don't like eating to be a chore, so I kind of just go with the flow.
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