A Quote by Luke Combs

I could play a gig on the moon and not be nervous about it. — © Luke Combs
I could play a gig on the moon and not be nervous about it.
One day I would love to do rock a gig on the moon - how rad would that be? Isn't Richard Branson flying planes to outer space? Mötley Crüe could be the first band to play on the moon.
One day I would love to do rock a gig on the moon - how rad would that be? Isn't Richard Branson flying planes to outer space? Motley Crue could be the first band to play on the moon.
I always get nervous before a gig, so I look over my writing, trying not to fantasise about all the things that could go horribly wrong.
And I also am very nervous about implants. You know, I'm just nervous about all that. So I could still do it. I could think about it. But I needed to adapt to myself.
I haven't been really nervous about a gig in a long time.
If I've done a gig and at the end there are people waiting for autographs, they always seem nervous, but they probably don't realise that I'm more nervous than them. I get very embarrassed.
When you play a gig in Poland or Australia, or you play a gig in Toledo, they all clap at the same parts of the show. They're clapping for the solos in the exact same way.
What was supposed to be so special about a full moon? It was only a big circle of light. And the dark of the moon was only darkness. But halfway between the two, when the moon was between the worlds of light and dark, when even the moon lived on the edge...maybe then a witch could believe in the moon.
I used to get nervous about three weeks before a gig... now I've managed to condense it down to a manageable ten minutes.
It really made me nervous to write about it [Holocaust] and to approach it, because I was nervous about how to do it respectfully, and I was also thinking about how I could add something new to something that had already been so explored.
The weird thing about the subway is no one looks at each other. So I play the O2 in London. It's a 20,000 capacity venue, and then I'll take the subway to my gig, and everyone's going to my gig, and no one looks at you. If anyone does, they say, 'Hey, you look exactly like James Blunt, only smaller.'
I hate complacency. I play every gig as if it could be my last, then I enjoy it more than ever.
All the Chinese have to do is fly around the Moon and back, and they'll appear to have won the return to the Moon with humans. They could put one person on the surface of the Moon for one day and he'd be a national hero.
I find that I get nervous before I play. Even sound checks can give me anxiety and screw with my mind. But as long as I can play a little acoustic guitar backstage if I'm feeling nervous, so I don't have to walk in there cold turkey, I'll be fine.
When we play an outdoor venue, you'll see whole families - boys, girls, men and women - from kids to grandparents who somehow heard the music... Think about how hard it is for artists who can never get a gig at an all-ages gig. Who goes to hear music in bars? People who can get into bars; people who drink.
I'm the diva from the future. The next gig's on the moon. Catch me while you can.
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