A Quote by Luke Evans

Every film, every fight choreographer, wants to have a different flair, have a different fight technique. So any film I've done that involved weapons has always been fascinating because everyone is different.
With action in Hollywood, a choreographer will be hired to design an amazing fight, with all these cool little narrative bits, such as a fighter having to perform a certain move because he's been injured and can only move that way, but it can all get lost in translation because the director then does what he wants with it and then passes it on to the editor, who does his interpretation of the fight. It becomes almost like Chinese whispers, so sometimes the end fight you see on film is so different to how it was conceived and looked on the day.
African films should be thought of as offering as many different points of view as the film of any other different continent. Nobody would say that French film is all European film, or Italian film is all European film. And in the same way that those places have different filmmakers that speak to different issues, all the countries in Africa have that too.
Everyone knows that every fight is different and there are different challenges every time you step out there.
I always come in different. A different Charles comes in every time. A Charles that wants to fight and win and become the champion.
Every film's different; every story is so different. But I think I've always been attracted to try to take something minimal and to maximize it cinematically. To find out if I can I really go all the way with one idea.
Every fight is like a different landscape of what you go through. But sometimes it's small injuries. Sometimes it's lessons you walk away with. Every fight is different but they all hurt, for sure.
Theater is completely different from film or television. It has a beginning and a middle and an end and it's different every night. And it's far preferable to any other except in the sense of not getting paid, people who want to eat should do film and television.
I've always been interested in film, so to get involved in any way in the genesis of making a film or music for a film is fascinating to me.
When the film [Certified Copy] was in the Cannes Festival, I realized that the fact of having it shot in a different culture, in a different language, in a different setting, that wasn't mine and that I didn't belong to, gave me a totally different relationship to the film. When I was sitting in the audience during the official screening in Cannes, I didn't feel that it was my film.
Just movies in general. It's such a wonderful business as much as you feel, you are fine tuning your craft, every movie is a completely different challenge. Every fight sequence is different. Every action set piece. I enjoy that.
Everyone reads a different book. That's what's interesting. Everyone sees a different film, as well. We bring our past lives to whatever work of art we're experiencing at that moment, and that's what makes it interesting. It's not mathematics. There are different answers for different people.
Everybody's different and every person is different and every actor's different and everybody has different wants and needs, but I'm a kid who loved comic books my whole life.
I know every film is different. Every filmmaker is different and works differently.
I'm in four different films this year, and I have four different accents. I sound different in every film. You have to love a character to play it well, and change in my work is what I want.
You're always struggling because you're not playing on a 53-and-a-third by a 120-yard field. You're not playing on a baseball diamond. With golf, every field is different and every atmosphere is different. The grass is different. The weather is different. You're outside. You're not in a stadium. There are so many different variables, so you never master golf. So, I think good athletes like a challenge.
I think with every heavyweight, there's a style that makes for a different fight with different fighters.
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