A Quote by Luke Evans
Directing is something I've sort of always felt like I'd like to do at one point, and I thought the best way to start it is to write something myself or with someone and I'd go from there. My own material.
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Directing is something I've sort of always felt like I'd like to do at one point and I thought the best way to start it is to write something myself or with someone and I'd go from there.
You're always choosing the start point and the end point. And almost by definition, the most interesting period is where something happens, as a result of which something is different at the end. And so to me, the idea that you know everything about a character at the beginning is sort of ridiculous. Something has to be revealed. I like it when the deeper you go with the character, the more you see the layers start to peel away. It's more challenging to me, but it's also just interesting. Those are the things I like to watch. I like to watch the evolutions of something.
Before I started working on a computer, writing a piece would be like making something up every day, taking the material and never quite knowing where you were going to go next with the material. With a computer it was less like painting and more like sculpture, where you start with a block of something and then start shaping it.
Sometimes it's not like I write very specific, it's more like I add an atmosphere almost to something that might have been quite awkward in my mind from the beginning. Something has happened and I want to force myself to think of it in a more positive way. And then I force myself to write something that convinces me that this is actually something pretty good or something that I learned something valuable from.
I love the idea of directing, I'm not confident enough, but I'm more confident in, well, I'd love to write. I've sort of written my whole life and I think I have a knack for it, so I'd like to write something and see what people think and that would be my first step to directing.
Technique in the minds of many is something rigid, something like a formula that you impose on the material; but in the best stories it is something organic, something that grows out of the material, and this being the case, it is different for every story of any account that has ever been written.
This way, if I did the album myself, and I produced it myself with my own label, it was going to be done the way I wanted to do it. If people like it or don't like it, it doesn't matter; I got something that means something to me.
I would never go travelling on my own. Some people like to go backpacking alone, but there's no way I would do that, even if you paid me - I just don't see the point. If I discover something beautiful, for me it's very important to be able to share it with someone and not just see it for myself.
As a writer, I'm always looking for what I call the universal, something everyone has felt and they can identify with. That's the reason for the success of 'All By Myself.' Who in the world hasn't felt that way in some point?
I always thought, I can't waste time, I have to do work. I also thought that I was slower than other people, that I had to concentrate more. I always thought, I'm not brilliant, I have to work. That was something I embedded in myself very early: I have to go home and write. But did I get any more work done than people like Frank O'Hara, who were always going to parties? Probably not.
Having a point to start is important. You know that when you decide to write something it's like a commitment. It's like falling in love.
I'm no wizard, and I don't like being thought of in that light at all. I think of a wizard as being some sort of magician or something, doing something on the sly or something, and I don't want to be thought of in that way.
When I hear my favorite songwriters write about things they clearly have not experienced, like "Isis" by Bob Dylan or a lot of Bruce Springsteen songs or something like that, I'm always like, "Man, how do I tap into that?" Every time I tried to do something that wasn't autobiographical I felt pretty phony.
When you write something by hand, there's a sort of intimacy that is just intrinsic to that act. You don't get to delete something in the same way, where it's like it was never there.
Directing is so dope to me, man, 'cause it doesn't necessarily have to be your material. You're making someone else's material come to life. There's something amazing about that.
I tried once in my life to write a novel. I had written something like 80 pages of it when my laptop got stolen. When I told people this, they acted as if something tragic had happened, but I kind of felt relieved, grateful to the thief who saved me from another year of something that felt more like homework than fun.
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