A Quote by Luke Evans
The Sixties was all about style and a certain look. But what was interesting about 1963 was that it was pre-Beatles, so the clothes of that time, especially the suits, were very different from the clothes post-Beatlemania.
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I don't think the role of style is different for a woman of any age. Style, to me, is about experimenting with what gives you pleasure, a joyous expression of imagination. I emphasize joyous because too much is written about fashion that takes the pleasure away - clothes that make you look thinner or clothes that make you look younger or, horrors, clothes that make other people envy you or that - double horrors - are "age appropriate".
I don't put a ton of time into my on-stage style, largely because I'm dumb about clothes. But I have friends who are very smart about clothes, and they teach me things. For the show, I'm mainly concerned with feeling comfortable, being able to jump around and get wild.
I think in Japan I think there is a lot of style and a lot of subcultures, but it will be interesting to see how much of them... how much of the people wearing those clothes are really expressing something about who they are or who they want to be and it will be very interesting to see, especially once you get there, once you get to a certain city like in Stockholm you really get to know the people a little bit and what they're saying through their clothes. It's more... To me I think it's much more interesting than just the clothes they're wearing or the length of the skirt.
I was so aware of the stage clothes versus the everyday-life clothes, and the extremeness of the stage clothes that my parents had designed. Even coming across my dad's old Beatles suits from Savile Row and the history attached to them - the masculinity and simplicity compared to the '70s glitz and glamour of Wings.
I've bought clothes based on record covers. Particularly from the formative music that turned me onto it in the first place when I was a kid, with the Beatles and the Small Faces. A lot of those Sixties soul artists were in really sharp sharkskin or mohair suits, and Motown artists looked amazing.
When I was very young, my brother and I, we used to go into charity shops to buy suits. The thing about clothes is that people judge you by what you wear, unfortunately. So when we wore suits, people gave us respect - we were very young, and it made them think we were older.
I think it's real important to show style now. The majority of style right now is to act like you don't have style at all, so most companies are getting rich off clothes that look torn, clothes that look worn.
Fashion museums think the more you know about the significance of clothes culturally, the more interesting they are. We certainly don't neglect the aesthetic aspects of clothes. But, I feel that what sets us apart from social, economic, and even aesthetic, or art historical context is that we are not only talking about clothes as kind of art objects created by an artist designer, but also we're talking about the various meanings that clothes have in the world, and how that changes and how we kind of create meanings around clothes.
What is it about the cut of certain clothes that signals 'VIP?' Men's Brioni suits and Charvet shirts are famous for it.
The clothes are different: pre-dog, I used to be very finicky and self-conscious about how I looked; now I schlep around in the worst clothing - big heavy boots, baggy old sweaters, a hooded down parka from L.L. Bean that makes me look like an astronaut.
What's interesting about fashion is it's a world, and I think that's what I've done - I've made a contribution and I think I've built a world. The world is beyond just clothes. Taste and style is beyond clothes. It's in food; it's in quality.
I'm very selfish! I'm only thinking about how I would look in clothes, and not how we as a society might appear in those clothes.
The clothes in themselves are empty. But what they throw off and what clothes mean as signifiers is incredibly interesting - to see what people do with it. That's more interesting to me than flipping through a magazine or seeing the fall look.
Nighttime dressing is not very different from daytime dressing for me. I feel like night clothes don't get a chance to live the way day clothes do, so I prefer to think of night clothes as day clothes.
Clothes as text, clothes as narration, clothes as a story. Clothes as the story of our lives. And if you were to gather all the clothes you have ever owned in all your life, each baby shoe and winter coat and wedding dress, you would have your autobiography.
If you think too much about nudity, it can be anxiety-provoking because it lives on the internet forever. I've only taken my clothes off on that one other show, and yet, if you were to Google Image me, it would seem like I do this all the time. As an actress - and as an actor, too, but it's worse for actresses - you constantly get picked apart for how you look. Obviously, being picked apart with your clothes on is slightly less terrifying than when your clothes are off.
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