A Quote by Luke Evans

I certainly didn't want to make another movie that's 'just another Dracula film.' — © Luke Evans
I certainly didn't want to make another movie that's 'just another Dracula film.'
For me, it was a lot of pressure to make another movie after 'Inglourious Basterds' because I didn't want to do something wrong. I wanted to have a beautiful project for another American movie.
I want to make a period film, I want to make a film set in another country. I want to make a foreign film. I want to make everything eventually. I am a storyteller. I have many stories to tell.
You want the film to be critically successful - you certainly want the film to be financially successful so that you can...well, because that's how movies like this are made, you know, they need to make money. But as a director, you can only make the movie that you want to make.
I want to release another CD this year, finish writing a screenplay, and make another short film
I want to release another CD this year, finish writing a screenplay, and make another short film.
'The Thing from Another World' was the first movie that really scared me. But the one that made me want to make movies was 'The Tales of Hoffman.' That's my favorite film of all time. It's a fantasy film. It's an opera. I never get tired of it.
The thing that I think a director has to have in order to make a movie really work, and to certainly make a film that feels personal, is that you have to have a sense of the feeling that you want to create in people, the tone which you want to tell the story, and the basic themes you want to come out. You can't compromise on those because you are then not making the movie that you are going to be good at telling.
I want to make another film. I want to make a better film about the legendary Babaji, with more close-encounter stories of people who have been with him.
Once I've finished a film I just want to get on and make another one.
I certainly wouldn't mind if 'Jurassic Park' turns out to be commercially successful, and somebody says, 'Hey, you were in a box-office hit, and if you want to do another movie, we'll give you five million dollars to make it.'
Once Ive finished a film I just want to get on and make another one.
Everything I do, I put my full heart into. I don't want to be just another actor, another singer, another artist. I want to invent history.
The thing that I think a director has to have in order to make a movie really work, and to certainly make a film that feels personal, which I hope this one does, is that you have to have a sense of the feeling that you want to create in people, the tone which you want to tell the story, and the basic themes you want to come out. You can't compromise on those because you are then not making the movie that you are going to be good at telling.
I don't care how inventive you are; once you introduce strings into the ensemble for a horror film, you're entering into a world where a tradition has been thoroughly established. So it's repeated use over the years is like, 'Oh God, another film with strings, another spooky movie with strings.'
Maybe I'll just write books. I'd like to make another movie, but I don't want to go back and [do] what they want you to do, to make it for a million dollars. I did that. I don't need a lot, but I need what I used to get, and they don't give you that anymore.
The New Testament is peppered with "one another" reminders. While Scripture says to love another, encourage one another, offer hospitality to one another, be kind to one another, many people are content tolerating one another, if not ignoring one another.
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