A Quote by Luke Evans

If you ask an actor what he'd prefer to act on, he'd probably say a tangible, real set, or even better, a real location out on a mountainside or by a river. It's just easier because you don't have to imagine anything.
Ask any real estate broker to name the three most important factors in buying a property, and he'll say: "Location, location, location." Now ask him to name the chief justice of the United States Supreme Court, and he'll say: "Location, location, location." This tells us that we should not necessarily be paying a whole lot of attention to real estate brokers.
in a middle of a room stands a suicide sniffing a Paper rose smiling to a self "somewhere it is Spring and sometimes people are in real:imagine somewhere real flowers,but I can't imagine real flowers for if I could,they would somehow not Be real" (so he smiles smiling)"but I will not everywhere be real to you in a moment" The is blond with small hands "& everything is easier than I had guessed everything would be;even remembering the way who looked at whom first,anyhow dancing
Obviously, movies, you're often on location, out in the rain or the sun, in a real place where the trees and the cars are real. But when you're on stage, as an actor you're imagining the environment that you're in.
With the type of actor I am, which includes really diving into a role and making it as real as possible, there's nothing better than working in a real environment on location. It forces you to feel what the character's feeling, and it allows you to live in the space of the character.
Every moment is as real as every other. Every 'now,' when you say, 'This is the real moment,' is as real as every other 'now' - and therefore all the moments are just out there. Just as every location in space is out there, I think every moment in time is out there, too.
I prefer to take actors and put them in real settings and real locations and real situations rather than create artificial locations that serve the characters. It's just much easier when you are walking down the street with your actors to do that in a real street that's still open with people on it, rather than to close it off and bring in extras.
Anything, everything, can be learned if you can just get yourself in a little patch of real ground, real nature, real wood, real anything ? and just sit still and watch.
A mockumentary is supposed to be real, and we were frustrated with mockumentaries on TV, which are so rampant because of the success of 'The Office.' It's not real. You watch and ask why is there even a crew there. They never set it up in the narrative. You have a documentary crew following families for reasons we don't understand.
A hundred years from now, people will look back on us and laugh. They'll say, 'You know what people used to believe? They believed in photons and electrons. Can you imagine anything so silly?' They'll have a good laugh, because by then there will be newer better fantasies... And meanwhile, you feel the way the boat moves? That's the sea. That's real. You smell the salt in the air? You feel the sunlight on your skin? That's all real. Life is wonderful. It's a gift to be alive, to see the sun and breathe the air. And there isn't really anything else.
Before the money or anything, number one, it was just to put out real music, real stuff with a passion, real art.
Even as a kid, I would always imagine horrible circumstances in which I would find myself in my head, and imagine how I would feel, and act it out a bit for myself, because I was a bit of a freak like that. I love doing things like that, and I get a real buzz from it afterwards.
Real mothers don't just listen with humble embarrassment to the elderly lady who offers unsolicited advice in the checkout line when a child is throwing a tantrum. We take the child, dump him in the lady's cart, and say, "Great. Maybe you can do a better job." Real mothers know that it's okay to eat cold pizza for breakfast. Real mothers admit it is easier to fail at this job than to succeed.
The moment when a limit is reached, when there is nothing ahead but darkness: something comes in to help that is not real. Another way all this is like madness: a mad person not helped out of his trouble by anything real begins to trust what is not real because it helps him and he needs it because real things continue not to help him.
The function of the actor is to make the audience imagine for the moment that real things are happening to real people.
Working on location is ideal because you enter the character and the story. Shooting at a studio near home, there's a certain split. But on location, you forget the real world, and when you come back to reality, just going to the market can be traumatic.
Real estate is the key cost of physical retailers. That's why there's the old saw: location, location, location.
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