A Quote by Luke Ford

I'm not jumping into anything fast. I'm an actor that likes to choose my work and there's an element of good taste to my work. — © Luke Ford
I'm not jumping into anything fast. I'm an actor that likes to choose my work and there's an element of good taste to my work.
What nobody tells people who are beginners… is that all of us who do creative work, we get into it because we have good taste. But there is this gap. For the first couple years you make stuff, and it’s just not that good. It’s trying to be good, it has potential, but it’s not… your taste is why your work disappoints you… We know our work doesn’t have this special thing that we want it to have. We all go through this… It is only by going through a volume of work that you will close that gap, and your work will be as good as your ambitions.
Work with good directors. Without them your play is doomed. At the time of my first play, I thought a good director was someone who liked my play. I was rudely awakened from that fantasy when he directed it as if he loathed it. . . . Work with good actors. A good actor hears the way you (and no one else) write. A good actor makes rewrites easy. A good actor tells you things about your play you didn't know.
My goal as an actor, as an up-and-coming actor in this business is to stay consistent with the work, you know, and if you do good work, and stay focused on the work, writers and directors will pay attention.
I'm an actor that likes to go to work. I like going to work every day. I'm a worker by nature. I'm not someone who does one film a year and feels satisfied by that.
The truth is, an actor's performance is the result of work by a lot more people than just the actor. When you see that character portrayed up on screen, there is the work certainly of the actor, but there's the work of the editor, there's the work of what the camera was doing. What the music was doing, all of the above.
You have to know the rules, otherwise you have no tools to communicate to the audience, but to keep it fresh you have to break some. I don't choose genres as the element, but the material itself is the element, then I'll decide what genre I need. That's just how I work.
I am someone who thinks that if you've got an actor like that who wants to perform your work, then you should do it, and hopefully Tom [Hardey] likes to do the work that I do, so long may it continue.
I'm a goal setter, but in broad strokes. I don't have a by-October-2009-I-want-to-be-here plan. All I do is work with an element of challenge and an element of enjoyment. With that, anything can happen.
It really helped to have someone whose taste I really trusted who I knew was really smart and a really good writer. Sometimes I find it hard to judge my own work so it was good to have someone who could look at it. It was like, "Oh, she likes it, then it's good."
I had the privilege of being able to choose, or at least have the opportunity to work at, being anything but an actor.
I don't have necessarily good taste. I have some really good taste and I have some really awful taste. I don't see the difference, because when you use them together they can work.
Once you've made peace with the fact that you're hardly ever going to work on anything that you're actually good at, the only thing that you can do is get good very fast on everything you have to do.
I always wanted to be an athlete. Then when I realized that I can't run very fast, jump very high, or catch anything, I thought, 'Maybe if this doesn't work out, I can be an actor.'
When someone who is known as a comedic actor goes to drama, it often doesn't work out, because they really just chose wrong, I think - or maybe they're just not good actors. For me it's important making that transition seamless, and not a huge shock and jumping into cold water. It doesn't feel like I'm trying to shock you or anything. I'm just saying, "I'm a different actor than you thought I was. Don't put me in a box. I'm not just some kid running around screaming curse words." I have other tastes besides comedy. I love comedy, but I love dramatic movies just as much.
Sometimes you choose the wrong actor, he could be the best actor ever, but hes not cast in the right part then it doesnt work.
There's work for everybody, and I believe every actor gets what he/she deserves. Honestly, I just want to work as long as I can and do great films and act with every good actor around.
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