A Quote by Luke Macfarlane

Juxtaposition is interesting to me. — © Luke Macfarlane
Juxtaposition is interesting to me.
Well, I know, after all, it is only juxtaposition, Juxtaposition, in short; and what is juxtaposition?
I'm not really sure what the psychology is, but for me, I'm interested in it because it's such a juxtaposition to what is going on in my life with a newborn, as you can see. So because of that juxtaposition I'm really fascinated by it, but I'm equally terrified by it, and I think that diving in it makes me feel safer as a woman and a mother for some reason.
I get the same charge from juxtaposition of colors as I do from juxtaposition of chords.
It's an interesting juxtaposition, being student body president and leading others and learning how to effectively help people on the team in a way that's not as direct.
Personally, I prefer to play against the look: If a character appears particularly unhinged, with makeup running down her face, I like to play her as if she has it together. I think that juxtaposition makes it so much more interesting.
My mother - it's not one of those waxing-poetic kind of things - she literally worked two or three jobs most of her life. So I personally experienced that, even though I had these great friends and associations who had unlimited amounts of money. That juxtaposition was an interesting one.
Theater represents to me this phenomenon in juxtaposition to real life, where there are all these imposed guidelines.
All my interesting stories are from before I was on television. Nothing interesting has happened to me since then. Maybe it's because the most interesting thing in my life is the show and that's on telly.
It is hard for me to imagine that I felt good about behaving like that. I also remember that the smallest gesture of affection would bring a lump to my throat, whether it was directed at me or at someone else. Sometimes all it took was a scene in a movie. This juxtaposition of callousness and extreme sensitivity seemed suspicious even to me.
What triggers a poem for me is not the same as what triggers an essay. My mind is geared now to looking for, or to watching out for, the image that attracts my attention or the phrase or the strange juxtaposition that strikes me bodily, or an odd question or supposition.
The most I could hope for is to come and try and develop a character who is interesting, who is interesting to me, who is interesting to fans and who could contribute to the storytelling that is 'Law & Order: SVU.'
Someone on Twitter sent me a page from a textbook. It had a picture of a football player next to a picture of me. The juxtaposition was meant to illustrate two meanings of "offensive." Seriously. It broke my heart. It's that accepted what I do is offensive?
I don't think there's a way to replace Stabler. The most I could hope for is to come and try and develop a character who is interesting, who is interesting to me, who is interesting to fans and who could contribute to the storytelling that is 'Law & Order: SVU.'
I like how powerful fashion makes me feel. I live for that grungy-prissy juxtaposition that Kate Moss, Naomi Campbell, and Drew Barrymore wore in the '90s.
I'm selfish, I think. I think an artist has to be. I'm not worried about what people think. I play the parts that I find interesting. It'd bother me more to be just pigeonholed into doing what people think is ethical or that's boring to me. I don't pick parts with that in mind, I just find interesting stories. If it's interesting to me, then I do it.
If someone's really busy listening to other CDs, and worried about what's new and what's truly relevant for discourse now, maybe it isn't that interesting. To me it is, because I'm tuned into that and that's what I like, so it's interesting to me. It's all I can do.
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