A Quote by Luke Pasqualino
I suppose if I did get into a situation with a friend where we both liked the same girl, I like to think we'd sit down maturely and decide who was going to get in there, and then the other would stand aside.
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I'm more of the girl who's always in the friend zone, and I try to help if my other friend wants to get with someone. I can be a bit cheeky and say stuff that embarrasses my friends, but I'm normally the girl who guys like to be friends with, so I become friendly with the guy and then go, 'Oh, this is my other friend.'
you can't set down and stand up at the same time, each situation has its advantages, but you can't be in both places at once ... it can't be did.
Your only guidepost is your own instinct and judicious editing. In my stand-up act I learned that in the first 10 minutes I could say anything and it would get a laugh. Then I'd better deliver. In the movie it's the same thing. You get a lot of laughs when people first sit down and then the story better kick in. Many years in front of an audience, I would hope, give me a sense of what works.
Suggestions? Put it aside for a few days, or longer, do other things, try not to think about it. Then sit down and read it (printouts are best I find, but that's just me) as if you've never seen it before. Start at the beginning. Scribble on the manuscript as you go if you see anything you want to change. And often, when you get to the end you'll be both enthusiastic about it and know what the next few words are. And you do it all one word at a time.
I think a domestic situation can change you and your attitudes. I suppose if you did get a bit content, then you might not write savage lyrics.
There are all these awards that you've never heard of, and you get nominated, and suddenly you're at these awards shows, so you really don't care if you win. You really don't. You're going there, you're getting dressed up. And then you get to the awards show, and you sit down. You walk the red carpet. Everybody loves you. It's great. You sit down, and all of a sudden your category comes up, and you get nervous. And it's a complicated emotion, because it's not like you absolutely want to win, but then you don't want to lose.
I would like to see ... an entirely different procedure which is that we vote on the budget and decide how much we are going to spend, first, the way any family does, and then fit our priorities into what we think we have to spend. Instead, what we do, is to do it incrementally, starting at the bottom, adding and adding and adding. ... Until we get the support of all the authorities in this House to decide, first, what we think this country can afford and then decide where the amount is going to be allocated, we will never have common sense in this House.
It's like I'll sit down and put my hands on the piano or the guitar, and then I'll hear a sound or I'll feel a chord that will resonate and then I'll get something happening in my voice. My voice is like a car that I get into and drive but I don't know where I'm going. And I record everything. And often, I sort of get into a state, a creative state that is, where I'm just feeling around melodically, and playing things off the top of my head. Then I go back and listen to it and for the first time, hear what I just did. It's like Elvis has left the building while the thing is happening.
It's a unique situation as well because England is a small country, so it makes it easy for the fans to travel. If we play down in London, they get buses and we'll get three or four thousand fans come down. They'll all sit in the same area and show their support for the team.
If a therapist is feeling insecure in therapy, a lot of therapists will try to sort of push that aside to try to do the therapy. Instead, we would ask people to get with that feeling of insecurity, because after all, the client is being asked to do the same thing. It has a kind of a quality of two human beings in the same situation, really, working through these psychological processes. And yeah, you hired me; I'm working for you as a therapist. But I'm not up here and you're down there. And what you're struggling with, at other times and with other areas I'm struggling with.
I am a person of high energy. That, and I sit down and I write when I get an idea - I put other things aside.
My guitar is like my best friend. My guitar can get me through anything. If I can sit down and write an amazing song with my guitar about what's going on in life, then that's the greatest therapy for me.
I look around at all the girl singers, and I think they're all my children... and they're all going to do this... And, yes, maybe I inspired them because I did get through a lot, and I did have the same problems that they're going to have. You do have to give up a lot for it.
If I sit down to write a young-adult novel, then I'm going to write either to the punch-pulling expectation of what I can't do, or I'm going to go the other way and think about what can I sneak in to be 'down with the kids' - which would be excruciating.
That's why I love doing television because it's something that fans and viewers can sit down each week and get to know your character and get to know the show and get to know what's going on and fall in love with you all over again, like they did in previous shows.
If you're a movie star, you get the girl, you lose the girl, and then you get her back. But if you're a character like me, you lose the girl, then you get another one, then you get another one, then you lose them all, then you lose your life.
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