A Quote by Luke Pasqualino
That's where the theatre of dreams is, over in L.A.; it's the land of opportunity for actors, and to go over there with a good team behind you and have a part you want to audition for really makes it a joy.
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I've said multiple times, over and over and over and over and over and over and over and over again that I want to play for one team my whole career.
We can work, study, laugh and have fun, dance, sing, and enjoy many different experiences. These are a wonderful part of life, but they are not central to why we are here. The opportunity to choose good over evil is precisely why we are here. Not one of us would say, "I want to choose evil." We all want to choose the right. However, the choice of good over evil is not always easy, because evil frequently lurks behind smiling eyes.
The whole joy of writing comes from the opportunity to go over it and make it good, one way or another.
I have a tradition of working with actors, over and over again. I've worked with Jason Bateman, over and over again. You get to know an actor, and you get a certain trust and a comfort, and you become really good friends, and you feel like you've got a short-hand.
Life beats down and crushes our souls and theatre reminds us that we have one. At least the type of theatre that I'm interested in; that is, theatre that moves an audience. You have the opportunity to literally impact the lives of people if they work on material that has integrity. But today, most actors simply want to be famous. Well, being an actor was never supposed to be about fame and money. Being an actor is a religious calling because you've been given the ability, the gift to inspire humanity. Think about that on the way to your soap opera audition.
To be honest, I am not theatre-trained and though I am confident in my skill set, to do theatre requires a better-tuned set of muscles and I sometimes defer to actors who are better trained. But at the times I do want a shot, I'll go for it, especially if the piece speaks to me and the opportunity comes up. The immediate response from a theatre audience is so thrilling, affirming, and soul-feeding; to know how you've affected an audience at curtain can be ego-blowing, both good and bad.
You work enough with someone and you develop a shorthand. You know how he likes to work through the day and he knows where you're vulnerable and where your weaknesses and strengths are, so it makes for a good team, a team that knows who's over there behind your back.
Good actors are a dime a dozen, but I want actors that are gonna be part of my team and collaborative.
Either over neither, both over either/or, live-and-let-live over stand-or die, high spirits over low, energy over apathy, wit over dullness, jokes over homilies, good humor over jokes, good nature over bad, feeling over sentiment, truth over poetry, consciousness over explanations, tragedy over pathos, comedy over tragedy, entertainment over art, private over public, generosity over meanness, charity over murder, love over charity, irreplaceable over interchangeable, divergence over concurrence, principle over interest, people over principle.
I did kung fu from when I was nine to 13. You have to be really careful but you want to be able to make it look eventually as though it's just a part of you. So, you train over and over and over again.
I was mad about the theatre growing up, really mad. We had a local theatre, the Torch, and I used to usher there. I would see the shows over and over again.
Whenever I get an audition to do something that is sci-fi-related, it makes me really happy because I realize that I can continue doing the work that I'm doing and continue meeting people all over the world. It does baffle my management team sometimes, though!
I had to audition as an actor, and I got so tired of doing the same monologues over and over, so I started writing my own, and then I started selling them to other actors.
Talking about someone who makes you happy actually makes you happy. Being happy makes you want to talk, to go over everything, to share it so you can remember it all over again.
When I signed in Ottawa two years ago, I felt it was to be an integral part of the team. Over the last two years and more recently over the past year, I feel my role was diminished. This past season, it diminished a lot more.
“I would like the opportunity to go somewhere where I can play to the best of my capabilities and be the player that I can be.
I actually envy actors who have a persona: 'This is the way I am. This is the part I play.' And do it over and over and over. To me, that's a lot easier than trying to reinvent yourself every six months.
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