A Quote by Luke Perry

Half-hour comedy shows are like a play, one night a week. — © Luke Perry
Half-hour comedy shows are like a play, one night a week.
'Breaking In' is a very different office comedy and a caper comedy. Aside from 'Chuck,' there is no half-hour comedy that does stuff like that.
I've done a number of these My Name is Earl shows. I play Earl's father. It's a half-hour comedy. And I'll be doing some more of those. I have a movie coming out that I did with Misha Barton, called Don't Fade Away.
If there is anything good to be said about my particular line of work, it's that we get to tell people the news they need to hear, and to put it in context. To get to that - for one hour every night on the 'PBS NewsHour,' and for an additional half-hour every Friday night on 'Washington Week,' we have to slog through a lot of tough stuff.
There are some bands for whom that works very well and it's no disrespect to them because I'm sure there's something honest and natural about it, but for us I feel like it would be dishonest and kinda disrespectful to that artwork to do that. To be like: "Okay, we're going to go back and only play these songs, even though we have an hour to an hour and a half set and we gotta play more songs, but we'll skimp you on your extra half hour." That's just silly to me.
When I was doing half-hour shows, I loved it and was preparing myself for the hour shows. Then when I did the hour shows, I was preparing myself for the specials and features.
For me, being onstage for an hour and a half, my confidence was really huge for me. Doing eight shows a week for a run, I was like: "I'm actually doing this." And now I feel more confident going into something.
There are times when you do a play when you are living in the character over a two-and-a-half-hour period or longer, and you come to the end of the night, and you can feel like you were hit by a truck.
I would love to play a normal human being with a little bit of a comedic bend that had a love interest. I would love to explore comedy, like a half-hour kind of single-camera comedy. I think that would kind of suit me best.
The fact that Eddie Vedder likes to play 3 hour plus shows a night, I have to be ready for that.
I have a half-hour special on Comedy Central, but so many people have half-hour specials now, and it's not so 'special.'
Half the shows on Comedy Central are just multi-cam blue sets, and they kind of look like game shows from the '90s. It's like, 'Why do such a bland corporate aesthetic when the sky's the limit with what you can do?'
I do my show half-hour a night four nights a week. I haven't seen my kids in 18 months, and I am losing calcium in my bones. Doctors say I should stop. I'm not going to.
[on making the transition from the comedy "Mary Tyler Moore" (1970) to its dramatic spin-off series "Lou Grant" (1977)] We were really worried about changing over from a three-camera, half-hour comedy to a one-camera, full-hour drama. The audience wasn't ready for the switch - even CBS billed us in their promos as a comedy. In fact, the whole thing was impossible. But we didn't know that.
I do find myself surprised by the comedy shows that seem to have the same joke week in week out.
You know what I would really like to do? I'd like to do a half hour drama with comedy in it.
You'd think they could spit out shows better than 'Champs' and 'High Incident' with the pool of talent involved, unless they're just throwing money at people to create shows and they're not really behind them. I mean, the best thing they can do is 'Champs,' a half-hour comedy about men being stupid? People can just look around and see that.
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