A Quote by Luke Roberts

I was quite intrigued by the idea of following the exploits of people who are often in the margins. — © Luke Roberts
I was quite intrigued by the idea of following the exploits of people who are often in the margins.
I was quite intrigued by the idea of following the exploits of people who are often in the margins. You see the negotiators, but it's usually the SWAT team or the tactical team that draw our eye.
It is really quite amazing by what margins competent but conservative scientists and engineers can miss the mark, when they start with the preconceived idea that what they are investigating is impossible.
Think how weird profit margins are: We've got high unemployment and financial crises - and world record profit margins. People think the American market is very cheap. We don't. The market quite incorrectly gives full credit to today's earnings.
My heroes and heroines are often unlikely people who are dragged into situations without meaning to become involved, or people with a past that has never quite left them. They are often isolated, introspective people, often confrontational or anarchic in some way, often damaged or secretly unhappy or incomplete.
In America, quite often, for people from a certain economic position two choices become very evident as to their adult life. One is crime, one is the military. And it is quite often that some people choose one or the other, their options not being as many as someone from a higher income.
Percentage margins don't matter. What matters always is dollar margins: the actual dollar amount. Companies are valued not on their percentage margins, but on how many dollars they actually make, and a multiple of that.
Trans folk are so often pushed to the margins and not afforded the resources and opportunities that some nontrans people are.
Most people - and particularly people whose lives have nothing to do with books at all - are intrigued by the idea that somebody wants to listen to them and get it right.
I had no idea that 'Less Than Zero' was going to be read by anyone outside of Los Angeles, and it's - believe me, as the writer of the book I'm somewhat amused and intrigued by the idea that 25 years later it's still out and people are still reading it.
Often you find actors have big hearts; they're quite emotional people. Talking to actors who date other actors, and talking to people who deal with other actors, they often get emotionally caught up in lots of different things. They often wear their hearts on their sleeves. They feel things quite a lot - often to the nth degree, which I can imagine could make it quite difficult to date some of us. I think it's about having an emotional availability that you can kind of draw on. But I'm also searching for that. I'll be searching for the answer to that question for the rest of my life.
I guess I feel that I was following my instincts, and at the same time being guided by the best. I became totally intrigued with Louisiana - the people, the food. It is a part of my life. Everything that has happened for me since moving here has just been icing on the cake.
I think I'm speaking for a bunch of girls when I say that the idea that feminism is completely natural and shouldn't even be something that people find mildly surprising. ...I find a lot of feminist reading quite confusing and that often there's a set of rules, and people will be like, 'Oh, this person isn't a true feminist because they don't embody this one thing,' and I don't know, often there is a lot of gray area that can be hard to navigate.
I wasn't a kid who moved out from Iowa with aspirations of becoming a famous star - I was intrigued by the idea of filmmaking and by the idea of what it would be like to play a character in a movie.
The name [Spooky] comes from well back in university I was doing a series of essays and writing about Sigmund Freud's idea of the uncanny and I was really intrigued by this idea of "The Unheimlich".
If you put a much older woman in 'Doctor Who,' they can identify with it. I think it's quite an interesting concept, and if you remember things like 'Grimm's Fairytales,' the older woman is often the villainess, often the terrifying figure - why I do not know, but often she is. I think it's an idea to be exploited.
I was more intrigued by the relationship [in Felicity]; the idea of these two teenagers who were placed together. What would that be like, and what would it be like to watch that unravel. Living together, and having babies with somebody, missing out on your whole childhood, and then spending all these years with someone. I was more intrigued by that.
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